Latinos en Hollywood

⏤ ⏤ ✎ .ೃ ˗ˏˋ 🍉 ˎˊ˗ Real Nini: Es argentina, Escribe canciones en "Coreañol" y Representa el K-Pop Latino ˗ˏˋ 🍉 ˎˊ˗ !↴

2020.09.07 19:39 Sukuh1029 ⏤ ⏤ ✎ .ೃ ˗ˏˋ 🍉 ˎˊ˗ Real Nini: Es argentina, Escribe canciones en "Coreañol" y Representa el K-Pop Latino ˗ˏˋ 🍉 ˎˊ˗ !↴

⏤ ⏤ ✎ .ೃ ˗ˏˋ 🍉 ˎˊ˗ Real Nini: Es argentina, Escribe canciones en
Post : 🥑 : ᴀʀɢᴇɴᴛɪɴᴀ 🥑 : 1O:43 ᴘᴍ 🥑 : 07 / O9 / 2020 ¡Hola gente! Bienvenidos a mi nueva publicación. ¿De qué se trata? Esta publicación trata sobre Nini Fernández, más conocida como Real Nini, es una cantautora argentina de K-Pop latino. Nini Fernández Lisazo, más conocida por su nombre artístico, Real Nini, tiene 27 años y la palabra que más la define es "Artista". No solo canta, sino que también baila, compone, produce y es pionera en el género que eligió: "Latin K-Pop".
Nació en Buenos Aires, pero desde los 2 años vivió en la ciudad de Cutral Có, ubicada en la provincia argentina de Neuquén. Fue allí, durante su infancia, que comenzó a bailar frente a los árboles e imaginar que eran un público masivo. Hoy Nini es un crisol de culturas: su madre es uruguaya, amante del candombe y las murgas del vecino país; Su padre, natural de Chivilcoy, es un enamorado del tango y el folclore. La música nunca faltaba en casa, siempre sonaba algo diferente y no podía evitar bailar cada vez que escuchaba una canción.
"Me influyó toda esa conjunción de géneros musicales tan distintos, y al mismo tiempo, desde niña me gustaba el Pop; por eso me costaba identificar por dónde iría mi camino", dice en un diálogo telefónico con LA NACION. Fue en esa búsqueda que comenzó a estudiar ballet a los 6 años. Su espíritu era tan inquieto que con el tiempo también tomó clases de Flamenco, Jazz y Comedia Musical. El baile ya formaba parte de su día a día, y cuando cumplió 15 años surgió su otra faceta: cantar. Una maestra la animó a conocer el potencial de su voz y ella se animó tímidamente a cantar "Luna tucumana" de Atahualpa Yupanqui. Poco después, ingresó al Coro Inicial Plaza Huincul, donde permaneció como soprano.
"Aprendí a conocer mi voz y descubrí cómo podía usarla. Entendí que el talento muchas veces se construye a base de esfuerzo, y no siempre se nace con el don", reflexiona al recordar sus primeros pasos en el mundo del arte.
A aquella adolescente también le atraían los instrumentos, y aunque una de sus hermanas eligió la batería, su pasión se definió en primer lugar por las cuerdas de la guitarra. Con el tiempo se fueron sumando la flauta traversa, el cajón peruano y el piano.
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Nini se volvió multifacética y mientras seguía acumulando conocimientos empezaba a convertirse en una verdadera "artista". Su vida siempre fue muy agitada y llena de contrastes. Por aquel entonces todavía estaba en la secundaria, y mientras la mayoría de las chicas de su edad se decidían por un bachiller comercial o humanístico, ella optó por la escuela industrial; así que a la mañana revocaba paredes y a la tarde se ponía sus zapatillas de ballet y posaba en "palomita".
Volar del nido : de vuelta en la gran ciudad
Después de recibirse de Maestro mayor de obras, -así como se oye- decidió viajar a Buenos Aires para estudiar la Licenciatura en Música en la Universidad de La Plata. La chica que dibujaba planos y cavaba zanjas colgó el guardapolvo y se puso los tacos con la intención de bailar y agarrar un micrófono.
Una vez más, sintió que podía combinar todas sus pasiones y apostó a tener un ingreso económico dando clases de baile: a estas alturas ya no sólo era bailarina de danza clásica, sino también de salsa y bachata.
"El estudio te da herramientas", ese es el lema de Nini. Siempre apostó a seguir formándose y hasta dio clases gratuitas para compartir sus conocimientos. Sin embargo, la vida del artista independiente tiene sus vaivenes, y el dinero no le alcanzaba, así que también se animó a llevar su arte a los subtes, trenes, y algunas reconocidas esquinas porteñas. A sus 19 años andaba de aquí para allá con su guitarra al hombro, cantando esos mismos temas que la enamoraron cuando era pequeña.
"Saber que la persona que se quedó a escucharme, lo hizo por pura elección tiene un significado muy valioso para mí", confiesa. Y agrega: "No hay nada que la obligue a quedarse, no hay una entrada comprada, y es gratificante que alguien se conmueva con tu voz y te ponga unos pesos en la gorra".
De día en la universidad, de tarde en el transporte público, y de noche el regreso a casa. Esa era su rutina, y al analizarlo a la distancia siente que no fue nada sencillo independizarse: "En esta profesión, como en muchas otras, mantener una economía estable no es fácil porque invertimos lo poco que tenemos en cumplir nuestros sueños, y a veces parece que todo estuviera en contra".
Fue justo cuando estaba en tercer año de la carrera que fue diagnosticada como paciente inmunodeprimida. Como si esto fuera poco, también en la misma época supo que era celíaca y tuvo que cambiar su régimen alimenticio por completo.
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La dieta libre de gluten no era la primera dificultad que le tocaba afrontar: desde los 11 años padece de "llagas crónicas", y llegó a tener hasta doce úlceras por semana en la boca y en la garganta, lo que le impedía comer por el dolor.
"Todavía no tengo un diagnóstico certero del porqué convivo con estas lesiones en mi día a día. Me hice muchos estudios y aún no saben si tiene que ver con una falla en mi sistema inmunológico o con otro aspecto", revela Nini.
Aunque su salud mejoró gracias al cambio en la alimentación, y se pudo reducir la aparición de aftas a cinco por semana, lo cierto es que las secuelas del dolor siguen presentes:"Fue un arduo proceso de análisis e internaciones, tuve que dejar mis estudios y volverme a Neuquén durante un tiempo para recuperarme".
Conmovida, recuerda lo difícil que fue hacer una pausa y dejar de hacer lo que ama: "No podía cantar por lo dolorosas que eran esas úlceras, una especie de cráteres que me impidieron seguir entonando melodías".
Sin límites , el ansiado primer disco
Nini confiesa que escribir canciones fue su gran terapia para afrontar cada obstáculo, y fue justamente así como nació su primer disco, Sin límites. Volvió a pensar en la pregunta que siempre le hacían y le costaba responder: "¿Vos qué música hacés?".
"Creé las canciones empezando por la letra, y después le agregué la música según como me iba surgiendo. Confié en que primero llegaría la canción y después identificaría el género que le correspondía", cuenta.

Gracias a su persistencia y la ayuda de algunos amigos, cuando recuperó fuerzas finalmente tuvo en sus manos su primer álbum independiente: ocho canciones y cuatro idiomas diferentes representaron el concepto de que en su música no existen barreras de ningún tipo.
Inglés, portugués, español y coreano fueron las lenguas presentes en el disco. También hubo un despliegue de géneros: desde el pop hasta un carnavalito norteño que compuso especialmente para representar el amor hacia su familia.
Para Nini la decisión estaba tomada, pero no siempre se encontró con personas que la apoyaran. "El camino del arte es muy juzgado, porque si estudiás contabilidad o arquitectura, te llevas una materia y todos te apoyan; pero si te decidís por el arte, te hacen sentir que es únicamente tu responsabilidad que te vaya mal", cuestiona.
"¿Por qué haces esto Nini? Esa es una pregunta que me hacen muchas veces, y la verdad yo siento que es como preguntarme por qué tomo mate", bromea, y no puede evitar reírse cuando se da cuenta de lo natural que es para ella elegir la música como parte fundamental de su existencia.
Contra todo prejuicio, persiguió su sueño, y descubrió que el amor por la cultura asiática seguía muy presente en su vida. Empezó escuchando referentes del K-Pop como Super Junior, Girls Generation, 2NE1, Wonder Girls, entre muchos otros, y eso la inspiró a repensar el pop coreano.
Componer en coreano: todo un desafío
En 2018 tuvo otra de sus ideas innovadoras: fusionar el tango con una canción de la reconocida banda surcoreanaBTS. Lo bautizó como "K-Pop en Caminito", y esta vez no prestó su voz, pero sí su faceta de productora y bailarina.
La banda sonora que acompañó los icónicos paisajes de La Boca fue "Airplane Pt.2", y ella se lookeó para la ocasión con un vestido rojo tanguero en la primera parte del videoclip, y en la segunda lució un estilo urbano, donde bailó al ritmo del pop.
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Contrario a lo que cualquiera podría sospechar, Nini no tiene ningún familiar asiático. Sí comparte con sus dos hermanas la pasión por la música coreana, y también por los animes, pero su amor por este estilo musical no tiene ningún componente genético.
"Estudio coreano hace cuatro años, y también incursioné en el japonés. Una vez que aprendí más el idioma me sentí mucho más segura para fusionarlo con el español", relata.
EXO, Blackpink, Mamamoo,Chung Ha, son algunos de las bandas surcoreanas que siempre están en la lista de influencias artísticas de Nini. Pero lo curioso es que una vez más fue más allá y decidió no sólo hacer "covers" de canciones, sino también crear las suyas, aportando su toque argentino a cada melodía.
Casi como un pulpo que despliega todos sus talentos a la vez, apostó por una "composición integral": escribió un nuevo single, lo musicalizó, y grabó un videoclip para el que también creó el guión y la coreografía de baile.
"Cumanhe" -que en español significa algo similar a las expresión "Basta", o "No va más"- fue su primera canción en "coreañol", y también su primer contenido representativo del "K-Pop latino".
A pesar del conocimiento avanzado que tiene del idioma coreano, no es sencillo combinarlo con el español, y Nini enfrenta este desafío cada vez que deja fluir su creatividad: "Puedo componer oraciones completas, pero no siempre las palabras van con la melodía, porque tiene que representar la idea general de la canción".
El K-Pop latino, una fusión de culturas
"El K-Pop latino ya existe, y se está expandiendo a nivel mundial, pero a veces pasa inadvertido y darle ese nombre sirve para identificarlo claramente como un género", sostiene.
Incluso revela que lo eligió como objeto de estudio en su tesis de grado, y en eso también fue pionera, porque la temática no había sido explorada hasta el momento en la casa de altos estudios y ni siquiera a nivel académico existe tanta profundización sobre este tipo de fusión de culturas musicales.
"El pop coreano se alió con la música latina y muchas bandas tienen el gesto de incluir palabras en español en sus canciones como un guiño para su público latinoamericano", señala.
Este nuevo "formato" de productos musicales, tal como cuenta Nini, combina varios géneros, y hasta el reggaetón está presente en la vestimenta y los escenarios urbanos de los videos musicales: "Es un fenómeno que involucra a mucha población joven y ya hay concursos internacionales de K-Pop, eventos latinoamericanos que son hits en diferentes países, y hasta radios de pop coreano".
Los logros de Nini en el mundo del K-Pop
Hace ya más de ocho años que lleva como bandera su deseo de difundir el pop coreano fusionado con los ritmos latinos, y en ese tiempo pudo recoger varios frutos de su cosecha artística.
En febrero de 2018 interpretó el himno nacional japonés durante el mundial de boxeo femenino, transmitido en vivo por TyC Sports. Luego, principios de 2019 llegó otra gratificante experiencia: fue la representante argentina en la semifinal del concurso "Stage K" en la Ciudad de México, patrocinado por la cadena de televisión coreana JTBC.
En septiembre del año pasado formó parte del equipo de trabajo de la película coreana New Year Blues, protagonizada por Yoo Yeon Seok y Lee Yoon Hee. En una de las escenas más destacadas del film, grabada en el puerto de Buenos Aires, los actores bailaron al ritmo del "2x4", y fue Nini quien ofició como instructora coreográfica de tango junto a la directora, Hong Jiyoung.
El 2020 tuvo como principal traspié la pandemia de coronavirus, que la limitó a producir contenidos desde su casa, pero antes de la cuarentena obligatoria participó de Todo puede pasar (elnueve), el programa conducido por Nicolás Occhiato, donde se coronó como una de las finalistas, y actualmente sigue a la espera del final del concurso cuando sea posible retomarlo.
Durante el confinamiento las redes sociales tuvieron un rol clave para Nini, ya que también formó parte del primer festival mundial online "Unidxs por la música", producido por Billboard Argentina.
"Es un evento muy importante con llegada internacional, y que la Argentina haya generado un festival solidario fue un grandioso. Luciano Pereyra y Marcela Morelo fueron algunos de los grandes artistas que también participaron, y poder conectarme con ellos en un mismo espacio era impensado para mí", confiesa emocionada.
Real Nini, un nombre artístico con simbolismo
En febrero último lanzó su nuevo single, "Es mi vida", que también cuenta con un videoclip. El mensaje detrás de esta canción es una metáfora de los obstáculos que atravesó en su carrera artística, y una forma de expresar que sólo ella sabe cuánto le costó dar cada pequeño gran paso.
Así surgió su alterego, "Real Nini", un nuevo nombre artístico que deja atrás a Nini Fernández, como solía llamarse antes. La conexión con la cultura asiática fue notoria una vez más cuando descubrió que ese adjetivo en inglés que tanto le gusta, "real", también lo utiliza otro cantante de K-Pop a quien admira: se trata de Park Chanyeol, integrante de EXO, y conocido en sus redes como Real PCY.
Además siente que existe una vocación de servicio en su interior, y por eso mantiene en su lista de aspiraciones un gran sueño al que ella llamó "K-Project School": "Es un proyecto de escuela. Sería una de las primeras empresas productoras de K-Pop en Argentina porque aunque existen algunas que traen bailarines y cantantes del exterior, yo tengo ganas de ayudar a los artistas de nuestro país".
Su intención es generar exponentes nacionales del K-pop latino, y utilizar su experiencia como productora musical para brindar herramientas. Justamente las posibilidades que desea ofrecer son aquellas que no existían cuando ella se lanzó al mundo artístico.
Los primeros pasos hacia la concreción de este sueño fueron algunas charlas informativas que pudo brindar en Ushuaia, y los encuentros virtuales organizados en colaboración con el Centro Cultural Coreano: "Me gusta la idea de que sea una escuela itinerante, no con una sede fija solamente, sino que se puedan repartir conocimientos en distintos lugares del país".
La historia de Real Nini es la de una mujer valiente, que eligió un género relativamente desconocido para muchos, y lo estudió hasta el punto de convertirse en una experta. Incluso hoy es fuente de consulta recurrente y una gran exponente del género por su calidez a la hora de explicar de qué se trata y la pasión que transmite cuando cuenta el porqué de su amor hacia la cultura asiática.
Nunca conoció Corea del Sur y es un gran pendiente en su vida. Su mayor anhelo era viajar a finales de este año para el estreno de la película New Year Blues, de la que participó en el equipo de producción, pero la pandemia puso todo en pausa y la incertidumbre acerca de cuándo podrá pisar suelo coreano reina en sus días.
"Lento, pero seguro", repite cuando piensa en los logros que ya tiene en su haber. Firme en sus convicciones, resiliente ante las dificultades y las miradas de incomprensión, Nini deja en claro que cuando se trata del K-Pop, ella es como su primer disco: No tiene límites.
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2020.08.02 23:30 jesaes100 Los Netflix gratuitos del 2020 para ver pelis

La forma en que estas páginas logran ingresos es por medio de la publicidad, así que tienes que tener en cuenta que una desventaja de estos servicios es que verás comerciales, a diferencia de otros servicios de streaming donde no sucede esto. Estas son las alternativas a Netflix que puedes empezar a ver desde ya.

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Si buscas la mejor aplicación para ver series y películas en alta calidad y sin trabajarse, esta es la mejor opción: http://tedigo-como.blogspot.com/2017/01/como-ver-tv-online-gratis-metodo-2017.html
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FilmIn Latino Un catálogo muy extenso de películas de América Latina, muchas de ellas son gratis y solo necesitas darte de alta con una cuenta de Facebook o bien crear una en su página. FilmIn Latino no solo se basa en películas, sino que su contenido se extiende a documentales y series de esta región del planeta.
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2020.07.30 18:42 jesaes100 Alternativas a Netflix legales y gratuitas 2020

La forma en que estas páginas logran ingresos es por medio de la publicidad, así que tienes que tener en cuenta que una desventaja de estos servicios es que verás comerciales, a diferencia de otros servicios de streaming donde no sucede esto. Estas son las alternativas a Netflix que puedes empezar a ver desde ya.

https://preview.redd.it/zssoda0kw0e51.jpg?width=550&format=pjpg&auto=webp&s=8ff3245ec4cff7e833ae974e8916a0abbb26cc3a
Si buscas la mejor aplicación para ver series y películas en alta calidad y sin trabajarse, esta es la mejor opción: http://tedigo-como.blogspot.com/2017/01/como-ver-tv-online-gratis-metodo-2017.html
Pluto TV Es una página que funciona con una programación muy parecida a la televisión, es decir, tendrás que estar atento a los horarios en los que pasan los contenidos. Para su plataforma de México cuenta con 24 canales. La gran desventaja de los servicios como
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https://preview.redd.it/8ut4cp78s5c51.jpg?width=175&format=pjpg&auto=webp&s=4ef954abce6f46e36363c51156b9d7a3f7876e1b
submitted by Blinker21Julce to Home_Made_Fun [link] [comments]


2020.07.18 21:48 jesaes100 5 alternativas a Netflix que puedes disfrutar GRATIS

La forma en que estas páginas logran ingresos es por medio de la publicidad, así que tienes que tener en cuenta que una desventaja de estos servicios es que verás comerciales, a diferencia de otros servicios de streaming donde no sucede esto. Estas son las alternativas a Netflix que puedes empezar a ver desde ya.

https://preview.redd.it/cz0u4ank6ob51.jpg?width=550&format=pjpg&auto=webp&s=d0da3d1f1a049371b2e935e73c2f8768cdceb426
Si buscas la mejor aplicación para ver series y películas en alta calidad y sin trabajarse, esta es la mejor opción: http://tedigo-como.blogspot.com/2017/01/como-ver-tv-online-gratis-metodo-2017.html

Pluto TV Es una página que funciona con una programación muy parecida a la televisión, es decir, tendrás que estar atento a los horarios en los que pasan los contenidos. Para su plataforma de México cuenta con 24 canales. La gran desventaja de los servicios como Pluto TV es que no puedes ver contenido cuando desees o adelantar y repetir lo que estás viendo.
Classic Cinema Online Para los que prefieren cine clásico, como los primeros éxitos de Hollywood o Disney, esta es su gran opción. Sabemos que hay muchas gente allá afuera que le encanta volver a ver las películas antiguas y los grandes clásicos, así que seguro se convertirá en una de sus páginas favoritas.
FilmIn Latino Un catálogo muy extenso de películas de América Latina, muchas de ellas son gratis y solo necesitas darte de alta con una cuenta de Facebook o bien crear una en su página. FilmIn Latino no solo se basa en películas, sino que su contenido se extiende a documentales y series de esta región del planeta.
Plex Una plataforma que va más allá del simple servicio de streaming, Plex te permite organizar todo tu contenido, por ejemplo, si tienes películas guardadas en tu computadora, las puedes subir a este servicio y clasificarlas por género y categorías. Recientemente, esta plataforma anunció una ampliación de catálogo totalmente gratis para todos los usuarios.
Open Culture Una gran página, sobre todo para los que gustan de las opciones de cultura. Aquí no solo encontrarás contenido casi exclusivo o que difícilmente se puede encontrar n la web, sino que también hay audios y libros. La gran desventaja de Open Cultura es que su interfaz no es amigable y es muy simple, sin embargo, la calidad es de primera.
submitted by jesaes100 to espanol [link] [comments]


2020.07.04 17:30 ExpertYak4 Emasculation of Asian men in the media is a GOOD thing, media representation be damned. Here's why I SUPPORT it.

Truth be told, I don't really support support it. But its existence is very useful and convenient: it does allow one to play the devil's advocate, and ask oneself some very interesting questions about white men. What they have to say in response to this post, even hypothetically, is a very good litmus test. The supporting evidence is at the very bottom of the post. Read till the end before downloading it.
This is not a post to the Asian members of this sub. Recognizing that Asian men have been slighted from since the early days of media and Hollywood is like Woke Asian 101. But fuck, if you've really never seen any racism and you're not trolling, watch the Slanted Screen or Google "media representation of/emasculation of Asians in the media" or something. That's enough spoonfeeding. Instead, it is just me throwing my thoughts out there to a hypothetical white reader. I do not expect any responses. In fact, this post is more a message to white trolls and people who deny Asians are being emasculated in the media:
The message is that I know. Somewhere out there on "Asianosphere" is one person who "gets it". This post does not reflect this subreddit. Truth be told, I have had some conflict with this subreddit about my views. This post reflects my views, and mine only.
To continue, let me ask a question to a hypothetical white reader. Do you see the negative media representation/emasculation of Asians in the media, and do you see it as a problem? I know the answer already. The white man is under no obligation to say yes. That's because for white men, the negative portrayals/emasculation of Asians in the media is funny at best, and even extremely useful at worst. I'm not even mad. In fact, I simply ask "do you see that it exists". I'm not putting you in a defensive position by demanding corrective action or some sort of apology. I don't even expect an answer. Take that "yes it exists" and swallow it.
The negative portrayal/emasculation of Asians in the media reflects the Asian man's lowered social status in the Western world and both operate in tandem. And how low the Asian man sits in society. Veneration of the dead is universal in EVERY culture. Even in war, the bodies of the opponents are exchanged during wartime or peacetime. Mutilation of war dead is frowned upon. It's such a basic instinct even animals venerate their dead. So when it's socially acceptable to make fun of dead Asians, you know there is no lower you can go. Dead people are the holy cow, and Western society has taken a steaming hot shit pile of shit on it. Racism against Asians is so socially acceptable that whites subconsciously will say or do things against Asians without batting an eye yet would never do against other races. Search your soul white man, you know it to be true. Likely you've said or done something racist to an Asian man, or even laughed on the sidelines when others did without calling them out. Again, I ain't even mad.
All men of all races can agree to this: reducing the Asian man's negative image/emasculation in the media will mean more positive views of Asians in society. Some of this newly gained social status will inevitably chip away at the status of other races, especially white hegemony. How much is debatable. Kpop is one example: Kpop being a positive, or hell, just normal, portrayal of Asian men, has benefitted Asian men socially and sexually. Search up "AMWF Korean" on YouTube and hear many women talk about how they had an interest in Asian men from Kpop/Kdramas/Kmovies and decided to go to Korea, finding a Kbf along the way. I'm not saying this is a widespread phenomenon so put down your pitchforks white man, perhaps it is just a niche following. But in a zero sum game, one more white woman with one Asian man means one less white woman for the white man. Look, nobody normal thinks "dey r taking my women boohoo" unless they're an incel. Nobody is entitled to woman, and nobody is "stealing" anyone else's women. That implies women don't have agency in choosing who to date, and that's just wrong.
Some Asians flourishing socially will come at the expense of the white man's dominance in society. How much or how little, it doesn't matter - it only matter that it does. Therefore, it is strategically necessary for the white man to ignore the Asian man's grievances about negative image/emasculation in the media. If we see Asians and whites as oppositional, something that reduces the amount of hurt Asians face will mean more of a threat to white hegemony. It doesn't even need to go as far as to becoming an upper hand on the part of Asians. Therefore, I get it. Whites have no need, desire, or utility in reducing, or even acknowledging Asians being ridiculed in the media. The black pill I've come to swallow is that some white men know FULL WELL that there's heaps of racist shit flung at Asians, that some ENJOY being racist to Asians, that some LAUGH when other people are racist against Asians, better yet some CHIME IN with their own racist joke for more laughter and, about getting rid of this racism: god forbid, some DENY, GASLIGHT and ACTIVELY WORK AGAINST Asian men when they speak up about this racism. Bolstering Asian men in the media is a task for Asian men and Asians only.... unless....
Unless it becomes personal. Unless something that affects Asians directly impacts whites, they feel no need to change the status quo. I say this from a purely anecdotal, non-objective angle as someone who has spent a lot of time on the internet: I have almost never seen whites say anything about the negative image/emasculation of Asians in the media beyond laughing or perpetuating it. Face it: it's not in the white man's interest to acknowledge it.
I read an article online that I left a deep impression on me by a Latino-American on how Latinos are slighted in the media, Arabs are portrayed as uncivilized terrorists, and Asian men never played romantic leads. I consider this throwing a bone to Asians: from a pessimistic viewpoint, Latinos reducing negative stereotypes of their race in Hollywood does not need to involve other races. Nothing is stopping Latinos from eradicating all negative stereotypes attributed to them in the name of anti-racism, then going around and denigrating Asians/Arabs once they gained the other hand. It's realpolitik. The only reason this ONE particular Latino writer "allied" with Asians is because they see utility in Asians: the enemy of my enemy is my friend. Together we can tackle this racism. Did he see Asians as allies or pawns/useful idiots?
The rare times I have seen whites so much as acknowledge Asian negative portrayal/emasculation, they are invariably denying it and have always been critical of the Asian viewpoint. Below are some arguments that white men use to perpetuate the emasculation of Asians in the media. They are as follows:
"Stereotypes exist for a reason".
This is self-explanatory.
"Art imitates life".
This is a twist on the previous point. It argues that the negative portrayals of Asian men 100% reflect reality.
It's just a joke (bro) / It's just the movies (bro) / stop watching Hollywood (bro) / You Asians are a bunch of crybaby SJW's who take everything too seriously (bro)
This is basically "diminishing", saying "maybe it exists but stop letting it affect you so much bro" Dude like hows cyberbullying real hollywood racist just turn off the computer tv lmao
The fact that this is the status quo means that clearly it's there for a reason / if it had been changed then it would have been already
This was said to me during an argument I had with someone on a certain subreddit. Actually, what they really said was "Yes the media emasculates Asian men, and you're cucks for taking it".
If it bothers you Asians so much start your own media companies; clearly you failed to do so. Accept your fate.
Well, not like most whites would care, but there are some very influential Asians out there in Hollywood/YouTube/social media/music industry pulling strings to change the status quo, calling out racism or representing Asians, but again, whatever. That's the Asian man's business. I'm not putting a gun to the white man's head and forcing him to watch YOMYOMF or Wong Fu Productions or 88rising.
Some of these arguments represent delegitimizing/denial of genuine grievances, some are half truths that skate around or deflect the issue, and some are uncomfortable truths that Asians need to answer for. Clearly, if something deserves self-criticism or soul-searching on the part of Asians, then it should be done. Perhaps there is a kernel of truth to legitimate criticisms of Asians lack of results. If more Asian representation hit the mainstream, then these opposing viewpoints would lack substance. Whether Asian misrepresentation in the media reflects lack of ability or not-enough-effort-yet on the part of Asians to change the status quo, is up for Asians to answer. Maybe Asians are not working hard enough or else maybe art does imitate life, in that case, tough luck Asians, cry more.
Under the overarching theme whites espouse, that "art imitates life - media representations of Asians are accurate because they reflect reality 100%", then how whites respond to THEIR OWN emasculation in the media can be a very useful tool by Asians to respond to white racism-deniers. Let me use an argument strategy whereby I completely ignore the opponent's (invalid somewhat valid completely valid) attacks without addressing them, and instead deflect the opponent's arguments against themselves, and see what they have to say in their defense. If they make a legitimate defense, then Asians can co-opt the defense and use it against the opponent's argument. Some may call this whataboutism, I call it lulz. For example:
white man:
art imitates life - media representations of Asians are accurate because they reflect reality 100%. Suck it up and take it
Asian man:
what happens when media emasculates white men? Is that art imitating life?
Response in the affirmative
white man:
that's emasculating whites, and it's messed up
If it's messed up how the media emasculates white men and art doesn't imitate life then it doesn't for Asians either. Ergo, it too is messed up how it emasculates Asian men. By denying his own argument (art imitates life) when the tables have turned against him, the white man implicitly legitimized and validated the Asian man's viewpoint. To twist the knife after it's been stabbed, say to the white man "suck it up and take it"
Response in the negative
white man:
that's not emasculating white men. I don't care one bit.
If it doesn't bother white men, then that means there's nothing wrong with perpetuating it. It doesn't hurt you, and you'd be OK with seeing more white-emasculation images more on TV.
But the thing is, of course they care. Here's Stormfront on "Jessica Jones":
alwaysdrunk: Talk about anti white, this show hits it all. Mud shrk heaven, gay sexuality everywhere, multi cultural beyond belief, basically no white people who are not in love with N***s, gay sex or are alpha. Plus lots of Jews.
No white alphas? What's the big deal? I thought art imitates life!
Here's Stormfront on "The Walking Dead"
Stormblade88: I stopped watching Walking Dead when the stupid White girl had sex with the asian guy in the abandoned store in season two. Loved the show until then. I almost threw up all over my house when I saw it. There wasn't even any point to it other than being a slap in the face to any White guys watching it. "Oh, you find this beautiful White woman attractive? Well sorry but she likes small peckered asians." Screw that show.
WhiteReverence: I was/am angered by it, too.
my face when Stormblade88 almost threw up all over his house
I have collected 1,189 pictures and 82 videos of white men being emasculated. Well, white man, what path will you choose? Do these pictures make you feel uncomfortable, will you join our side and fight for better representation in media? Or does art imitate life and this a non-issue and you don't mind seeing more of these images on the telly?
If Asians say they'll join your side in positive media representation of men, if you drop the racism and tired jokes? Can we all get along?
Dropbox (includes videos, 900mb)
view link: https://www.dropbox.com/sh/irz8z5fk9266ome/AACDIANM1r8zeUF3MWR_0tNva?dl=0
download link: https://www.dropbox.com/sh/irz8z5fk9266ome/AACDIANM1r8zeUF3MWR_0tNva?dl=1
(I intend for the image links to stay up indefinitely. Let me know if they stop working)
submitted by ExpertYak4 to AsianMasculinity [link] [comments]


2020.06.10 03:28 skeletor_thagawd From 1996 to 2012 a man known as 'The Teardrop Rapist' stalked the streets of Los Angeles, raping up to 35 women. A man was convicted in 1999 and sentenced to life in prison, however after 16 years DNA exonerated him. The actual rapist still remains at large to this day despite a $100,000 reward.

It’s one of the Los Angeles Police Department’s most frustrating cases. Since 1996, women in a swath of Los Angeles between Hollywood and South L.A. have been attacked by a man with a teardrop tatoo on his face.
The first known attack occurred in April 1996. From then to June 2003, he struck more than two dozen times, police said.
Victims recounted similar stories: The assailant would force them into a secluded area at the point of a gun or knife before raping or otherwise sexually assaulting them.
In 2003, the attacks stopped, and detectives were never sure why.
But in 2005, another attack tied to the suspect occurred, this time in the Florence-Firestone area.
The attacks stopped again until 2011, when a 15-year-old girl walking to school in Southwest L.A. was pulled into a yard by a man brandishing a gun. He sexually assaulted her. Samples of DNA linked the case to the earlier teardrop assaults, however this victim reported seeing no tattoo (perhaps due to tattoo removal according to some sources).
The last known incident was in June 2012 on Naomi Avenue near 25th Street in South Los Angeles. Police said the assailant forced himself on a woman but was scared off by an approaching vehicle. After this attempted assault, police announced plans to canvas the Hispanic neighborhoods of Los Angeles and offered a $50,000 reward for information leading to an arrest.
On 27 July 2013, LAPD announced their collaboration with the FBI, and increased the reward to $100,000, with $25,000 coming from the FBI. Also released was a new set of composite sketches.
There have always been questions about whether all the attacks were committed by the same assailant or whether there was more than one “teardrop” rapist. DNA evidence from 11 of the sexual assaults were conclusively linked when the rape kits were finally tested.
In 1999, Luis Lorenzo Vargas was sentenced 55 years to life for three sexual assaults that occurred throughout 1998 and 1999. The conviction relied mostly on eyewitness testimony by the victims, all three of whom identified Vargas as their attacker. Despite this, Vargas maintained his innocence the entire time he was in prison, filing as many appeals as he could. When the appeals went nowhere, Vargas contacted the California Innocence Project. The CIP requested that the evidence from the first victim who was allegedly attacked by Vargas be tested for DNA. The request was granted and it was found that the DNA from the rape kits did not match Vargas' DNA, but rather another man who had been sexually assaulting women for 16 years. Vargas was exonerated of the crimes in 2015 and given $886,760 in state compensation.
The attacker has been described as a Latino, about 40 to 55 years old (if he is still alive) and weighing 130 to 170 pounds. He is 5 feet, 2 inches to 5 feet, 6 inches tall with brown hair, brown eyes and a light complexion. He sometimes wears a bandanna, beanie or baseball hat.
His M.O. generally involves preying on women and girls who are on their way to work or school, attacking them between 5am and 8am, talking to the victim beforehand (often asking for directions before pulling a pistol or knife on them).
Although no further attacks have been confirmed since 2012, the case still remains unsolved to this day. Anyone with information is encouraged to contact the LAPD or the FBI L.A. field office.
_________________________________________________________________________________________________________
Most recent composite:
https://upload.wikimedia.org/wikipedia/commons/8/86/8-30-02_Teardrop_Rapist_Composite.png
Collection of composites:
https://upload.wikimedia.org/wikipedia/commons/9/9d/FBI_Teardrop_Rapist_Composites.jpg
Map of attacks:
https://ca-times.brightspotcdn.com/dims4/default/cbe78cb/2147483647/strip/true/crop/1300x730+0+0/resize/840x472!/quality/90/?url=https%3A%2F%2Fcalifornia-times-brightspot.s3.amazonaws.com%2Fd4%2F9a%2Fd4f330b78376b972e273d199f1da%2Fla-me-g-serial-rapist-web
Resources:
https://en.wikipedia.org/wiki/The_Teardrop_rapist
https://www.latimes.com/local/lanow/la-me-ln-who-is-l-a-s-infamous-teardrop-rapist-and-when-will-he-be-caught-20151123-story.html
https://www.fbi.gov/video-repository/newss-wanted-by-the-fbi-the-teardrop-rapist/view
https://www.scpr.org/news/2015/11/23/55818/dna-clears-man-convicted-of-three-rapes/
https://californiainnocenceproject.org/read-their-stories/luis-vargas/
submitted by skeletor_thagawd to UnresolvedMysteries [link] [comments]


2020.06.01 22:18 manic_spiken Hispanic/Latino during the 2020 Riots

Being Hispanic/Latino has, is and will always be a great cornerstone to my consciousness and character. We are (some of us) descendants of Europeans. Yet as to no surprise, we're not recognized in that same echelon. We have a separate cultural and language battle we face when pursuing the "American Dream".
Have these riots have anywhere else wondering "where do we stand?". To an extent, the majority of us know what racism and prejudice is. I've experienced it all my life living between Los Angeles, DC, and Baltimore. It's nothing new. I've had both white and black people say and be absolutely heinous to me. I'm unfazed (luckily). I know racism comes from fear which stems from ignorance.
We have never had a voice in the United States to represent us. In Hollywood media we are comic relief or token. Sure, we have a few (my fellow Chapin, Poe Dameron) but we are largely without representation for being such a large population of the USA.
My thoughts might be a bit loose here but I'm kind of fishing to see if I'm the only one feeling weird in all this?
Sea como sea no quiero ver que a nadie le traten injustamente. En todo el maldito universo somos los únicos (que sabemos) que viven aquí y nosotros mismos nos hacemos mi*rda. Estoy harto de ver tanto sufrimiento.
submitted by manic_spiken to Hispanic [link] [comments]


2020.05.05 06:53 Ryan_Pliskin Messican’s Bio from her website

I just saw a fellow Chang’s employee post a picture from her website. I just read the bio. I don’t even know where to start. Atrocious from start to finish. Sixth grade writing level—gawd dawlg.
Born in West Hollywood California, on May 5th, 1988, Joanna Zanella and her family moved to Guadalajara Jalisco, Mexico when she was an Infant. 10 years later, her father brought the family back to California finally settling in Southern California when Joanna was TEN. In love with the idea of becoming an actress from the age of four, at the age of ten joanna pursued her dream of being an actress/model. With the help and support of her parents Joanna signed with her first agency. Within a year she had booked four National TV commercials for Kraft, JcPenny, Nickelodeon, Wells Fargo Bank. Joanna landed more commercials in the following years.
In 2005 Joanna received the Gabriel’s Award in excellence for VOZ LATINA for playing the lead role as VICENTE for latino soap operas showed in South America. In 2006 joanna coincidentally met ann asiano owner of umbrella girls usa at a starbucks. This began joannas career as a spokes model. she traveled all over the United States with Umbrella Girls USA.
In 2008 she was casted in the independent feature “Un dia en el Banco” (2008) the cast includes Armando Araiza, Luis Gatica and legendary Armando Sylvestre. In 2009 Joanna competed in a beauty Pageant for FOX Sports, Winning her Tittle as Miss Mexico Fox Sports USA.
Joanna’s Career has only rocketed to the top by continuing her success with many More projects. Her latest in the past year 2012 Include A two Year Campaign as their SpokesPerson and Image for Deardens. A Hair Campaign with One of Hollywood’s best Hair Dresser “WEN” by Chaz Dean. Appearing as a Show Host on TV AZTECA for the show “El Pelado de La Noche”. Hosting Many Different Sporting Events with Univision and Coors light. Embassador for the Tour Of California Cycling Events Being one of the Leading Actresses on The Telenovela “Sin Verguenza” by Altamed
submitted by Ryan_Pliskin to thefighterandthekid [link] [comments]


2020.05.04 05:50 adzmkva1999 Mylène Farmer: A French Pop Legend

Mylène Farmer is a French-Canadian singer, songwriter, actress, and writer. She’s sold more than 30 million records in France since 1984, she has twenty-one number one singles, and fifteen number one albums.
Firstly, I know you might be turned off by the fact that her music is in French. But as a Latino in Texas, I can assure you it’ll be no problem. I started off reading translations, then I actually started to learn and comprehend the language just because of her lmao. I’ll leave a link to the translations at the end!
If you have some time, give it a read, check her out. It’d mean a lot ❤️

Pre-Stardom

Mylène Gaultier was born in Pierrefonds, Québéc. However, her family moved to Paris when she was eight. After arrival, she took speech classes because her Quebecois accent was deemed improper. As a teenager, Mylène was very passionate about horse riding, qualifying as an instructor at only seventeen! However, she gained a passion for something else, acting. She undertook a three year course at a private drama school in Paris. She then changed her name to Mylène Farmer, in honor of her idol, Frances Farmer. While looking for acting jobs, she came across an advert looking for an actress to star in a film by Laurent Boutonnat. They quickly became friends and forged a creative partnership.

Cendres de Lune (1986)

Mylène bursted into the scene with a BANG. Her first single “Mamán a tort” was released in the spring of 1984. The song was a minor hit, but still caused a stir over the lyrical themes. The song is constructed like a nursery rhyme in which a young girl confesses her love for a female nurse. The song included themes such as violence, sexuality, psychoanalysis.
However, after only 2 years, her career staggered. She had released three singles, which were met with very little success. That all changed with “Libertine”. The song includes themes of feminism, sexuality, and freedom. My favorite line is “Je je suis Libertine, je suis une catin” (I am a Libertine, I am a whore) The music video was what really propelled Mylène into a league of her own. The video notably has a length of over 10 minutes. It’s also said to be the first music video showing full frontal female nudity! The video caused a large amount of controversy because of its depiction of sex, nudity, and violence. Two more singles were released from Cendres de Lune, and the album became a minor success.

Ainsi soit je... (1988)

In the fall of 1987, Mylène released another soon-to-be classic, “Sans contrefaçon (Without Forgery)”. The song is autobiographical, Mylène stated that as a young girl, she often got mistaken for a boy because of her androgynous look. Although the song doesn’t deal with homosexuality, it still became a huge hit among the gay community. The song was a huge success in France and Québéc.
In the fall of 1988, another hit arose! “Pourvu qu’elles soient douces (As Long as They’re Sweet)” which has been referred to as “an ode to sodomy” showcased the dynamic and nuanced lyrical talents of Mylène. To this day, the actual meaning of the song is still debated!
The music video was released in October of 1988. The video is a follow-up to “Libertine”. The video takes place during the Seven-Years War. It was in the 1989 Book of Records because at the time, it was the most expensive music video ever produced! The video was called a “historical masterpiece written as a real short movie” by psychologist Hugues Royer. The song was a commercial success peaking at #1 and gaining some success in neighboring countries.
In the spring of 1989, Mylène embarked on her first tour. The tour was notable for it’s large stage set, impeccable story telling, and sophisticated technology at the time! (Fun fact: costumes were made by Jean-Paul Gaultier) The tour was a huge commercial success to say the least.

L’autre (1991)

After the commercial success of “Ainsi soit je...”, Mylène went to work on her next album. Before the era started, Mylène wanted to change her image slightly. She went for an androgynous short hair cut. After almost 2 years since her previous album, Mylène released her biggest hit ever, “Désenchantée”. The song quickly became a political anthem reflecting the feelings of anger and frustration in the early 90’s. The video takes place in a concentration camp where children and adults are forced into labor and suffer horrendous abuse... watch the video! The song was a humongous success staying at #1 for twenty weeks! The album also became an amazing success selling over 2 million in France alone.
The album spawned three more hits: “Regrets”, “Je t’aime mélancolie (I Love You, Melancholy)”, and “Beyond My Control” [which was met with controversy for it’s music video; which was unfortunately censored]
Not long after, she was asked to participate in an album whose profits were to be donated to research against AIDS. Mylène then composed the single, “Que mon cœur lâche (My Heart Gives Up)”. The video draws inspiration from Herman Hesse to David Lynch. (My favorite scene is when Michael Jackson gets crushed by a cross lmaooo 😭)

Anamorphosée (1995)

Following the commercial failure of her and Laurent’s film ‘Giorgino’, Mylène and her partner fell out and she moved to Los Angeles. During her time in America, she went to work on her next album, the album was to be inspired by ‘The Tibetan Book of Living and Dying’. After three years since the release of her last album, Mylène Farmer released “XXL”. The song marked an important reinvention in her career. Her music and image was a huge departure: She dressed more feminine, her music had more rock elements, and her music became more accessible to the average listener. “XXL” is a feminist anthem exclusively for women, she evokes ALL women: homeless, prostitutes, transgender women, women suffering from AIDS, impoverished women.
The album was released in October of 1995 and was met with mixed reviews from critics. Soon after, “L’instant X (The X Moment)” was released and received commercial success.
In the spring of 1996, “California” was released as the 3rd single from the album. Mylène contacted director Abel Ferrara after seeing his film “Snake Eyes” starring Madonna. The music video was the most expensive video to be produced that year. The music video was shot in Sunset Boulevard. The plot revolves around two women played by Mylène (the prostitute and the elegant sophisticated woman). The video also includes real prostitutes. Mylène talked to the prostitutes before to learn about their profession, she stated: “Freedom for me, it may be a bitch who prostitutes on Hollywood Boulevard. We all have a vulgar side in us that we repress. Sex is an integral part of our lives.”
To promote the album, Mylène went on tour in 1996. The aesthetic was a huge departure from her 1989 tour. The 1989 tour was a solemn and bleak spectacle about death, grief, and religion. The 1996 tour was an intense, joyful, and colorful spectacle filled with drag queens, strip poles, and half naked men.

Innamoramento (1999)

After the success of the Anamorphosée era, Mylène started recording “Innamoramento”. In March of 1999, Mylène released ”L’âme-stram-gram”. The song was another departure from her last album. The song was an ethereal Asian inspired tech-trance hit dealing with sex, childhood, and psychoanalysis.
The album was released on April 7, 1999. Personally, it’s my absolute favorite ❤️. The album contrasted her previous one heavily. This album was an ethereal spiritual album which contained elements of darkwave, house, trance, and synthpop. It also dealt with a myriad of topics including religion, the Holocaust, aging, incest, and death.
Mylène dropped the second single “Je te rends ton amour” two months after the album’s release. The song was met with critical acclaim. However, the music video was met with backlash and controversy for its depiction of blood, sex, and religion. The video was ultimately banned. Mylène therefore released the video on VHS and donated the proceeds to the fight against AIDS.
The album spawned three other hits: “Souviens-toi du jour”, “Optimistique-moi”, and “Innamoramento”.
In 1999, she embarked on the ”Mylenium Tour”, another dazzling and beautiful spectacle.

Alizée (2001-2004)

In 2000, Mylène and her partner took Alizée under their wing and assembled songs and video ideas for her. Alizée released her first single “Moi... Lolita” which became a humongous hit to say the least. It reached the top 10 in several countries including Belgium, France, Mexico, Germany and the UK. The song was written by Mylène and produced by Laurent Boutonnat.
In 2003, she released another hit, “J’en ai marre !”. The song gained popularity all across Europe, in some parts of Asia, and for some reason... Mexico?
Anyways, in total, both her albums “Gourmandises” and “Mes courants électriques” have sold over five million.

Les Mots (2001)

After nearly two decades into her career, Mylène released the Greatest Hits album “Les Mots”. To coincide with the album’s release, Mylène along with Seal released “Les mots (The Words)”. The song was a huge hit for Mylène reaching #2 in France and Belgium.
The second single was also a huge hit (personally, it’s my favorite song of hers). Mylène released “C’est une belle journée”, a bright and ‘folky‘ sounding trip hop song... but don’t be fooled... the song deals with suicide. Girl I- 😭
The compilation spawned two other singles: “Pardonne-moi” and “L’histoíré d’une fée, c’est... (The Story Of a Fairy Is)” [which fun fact: appears on the Rugrats in Paris soundtrack. I think you can hear it briefly at the airport scene?]

Avant que l’ombre... (2005)

After nearly six years since her last studio album. Mylène was gearing up to release her comeback album. After much anticipation, Mylène dropped the lead single “Fuck Them All” on March 14, 2005. The song is a feminist anthem and depicts women as warriors. The song reached #2 on the charts and reached the top 5 in Belgium and Israel.
The album was released on April 4, 2005. The album was a huge success debuting with over 160,000 units sold in the first week. The album has gone on to sell over a million units worldwide.
The album spawned four other singles: “Q.I.”, “Peut-être toi”, “Redonne-moi” and “L’amour n’est rien” [which oddly enough, became a huge hit in Russia for some reason].
To promote the album, Mylène performed thirteen sold out shows at the AccorHotels Arena in Paris. Again... Mylène served us a breathtaking, spectacular, and glamorous show.

Point de suture (2008)

In June of 2008, Mylène graced us with a tech house electronic BOP, “Dégénération”, with a video that featured a gay hospital orgy. Two months later, Mylène dropped her 7th album “Point de suture”. The album went on to sell over 700K and spawned three other singles: “C’est dans l’air”, “Si j’avais au moins...”, and “Appelle mon numero”
To promote the album, she went on a sold out stadium tour across France, Switzerland, Belgium, and Russia. A SHOWSTOPPING, BRILLIANT, and NEVER THE SAME SHOW.
Mylène also spoke about her gay audience to the French LGBT Magazine “Têtu”: I am wary of the term" icon "... These are the ones we burn first! I have the feeling of being privileged. It is a sensitive, sharp and avant-garde public. We have been following each other for many years, it is important for me. I also think that I share with the gay public, as with other audiences for that matter, the feeling of being "different", a sensation that causes difficulties. to live in this world. "

Bleu Noir (2010)

Mylène released her comeback single “Oui mais... non” in the fall of 2010. The song became an unexpected hit reaching #1 on the charts, sold over 130K and became her biggest hit since 2002. The album was met with much commercial success and acclaim!
This thread is getting too long so let me just summarize.
Since then, she’s released 3 albums (Monkey Me, Interstellaires, and Désobéissance)
She’s toured twice. (2013 and 2019)
She’s scored 4 #1 since then.
NOTE: Most of the videos I linked are available on her official YouTube channel if you live outside the US, I linked videos from different sites so anybody in the US could watch.
TRANSLATIONS: If you want to check her out but want to read the lyrics, here you go https://lyricstranslate.com/en/mylene-farmer-lyrics.html
submitted by adzmkva1999 to popheads [link] [comments]


2020.04.11 00:52 CoronavirusCoverage Doing some research into Rockstar Games...Their games have some disturbing plots VERY close to what we are investigating. Pedophilia, torture, CP being run by the FBI, Organ trafficking, satanism etc

In GTA Chinatown Wars you get an email in game of children being tortured and killed and turned into fashion products. This got me looking into all of their games.
https://www.youtube.com/watch?v=0p4sBlldd08&feature=emb_titleYouTube
GTA IV had a serial killer character named Eddie Low. Eddie openly brags about sodomizing a little boy and choking him to death. He also brags about ripping the intestines out of a little girl.
https://youtu.be/nNcD7ZpVtO0?t=551YouTubeYouTube
https://gta.fandom.com/wiki/Eddie_Low
In game a company called "Little Lacey Surprise", a children's underwear company, runs these strange commercials that infer pedophilia. Someone took the audio of the commercial and put it over this children's underwear ad.
https://www.youtube.com/watch?v=bjPuartQNDkYouTubeYouTube
In GTA Chinatown Wars an in game email says they really produce child porn, and are being run by the FIB (FBI)
"One year later, in 2009, Huang Lee receives an email from "Illegal Teen", which indicates a site in which child pornography is available to see, and furthermore says it is surely legal and that they "wouldn't lie to people where money was concerned", finishing the email by saying "the FIB no longer controls the site", with a post scriptum "on an hourly rate".
This FIB reference and the pedophilia involved clearly points out that the site is indeed littlelacysurprisepageant.com."
https://gta.fandom.com/wiki/Little_Lacy_Surprise
Manhunts plot is about an elite organ trafficking and snuff film ring. It is being protected by the police and black ops units. You also fight satanic pedophiles.
https://en.wikipedia.org/wiki/Manhunt_(video_game))
"The CCPD are Carcer City's main police force and are led by corrupt police chief Gary Schaffer, who takes bribes from Lionel Starkweather to allow the Director's snuff film ring to operate within the city."
https://manhunt.fandom.com/wiki/Carcer_City_Police_Department
"The Cerberus are Starkweather's private army hired to protect him and his Estate. They also help in the production of his snuff films by setting up cameras, blocking off streets and transporting James Earl Cash from location to location."
https://manhunt.fandom.com/wiki/Cerberus
"The Innocentz have two factions: the bulk of the Innocentz are composed of the Skullz (more commonly called Skullyz), a group of Latino goths, gangbangers (particularly Sureños) and Satanists who also belong to local gang sets such as Malos and Muerte 187. Most of the Baby Faces, meanwhile, are genuine psychopaths and pedophiles"
https://manhunt.fandom.com/wiki/Innocentz
There is a character in the game called White Rabbit.
https://manhunt.fandom.com/wiki/White_Rabbit
The journalist in the game gets interviewed in an insane asylum at the end of the game. She says the government is in on it.
https://youtu.be/F_9zAOkqc3k?t=202YouTube
In Manhunt 2 the plot is about MKUltra.
https://en.wikipedia.org/wiki/Manhunt_2
As the plot unfolds, Daniel learns that he was once a top scientist in the employ of the "Pickman Project", a government-sponsored weapons program involving brainwashing and mind control techniques. The Project's goal was to create the perfect assassin; to accomplish this, they developed the "Pickman Bridge", a brain implant containing the personality and skills of a trained assassin which could be activated on command. In theory, the two personalities could co-exist in the same mind, completely unaware of one another. The idea was that the assassin could be remotely triggered, carry out his mission, and then revert to the original persona, who would have no memory of what he had just done, hence would be immune to interrogation.
In L.A. Noire you investigate a case about a child who has been raped by a Hollywood producer.
https://lanoire.fandom.com/wiki/Jessica_Hamilton
In Max Payne 3 your enemies are the police who have been running an organ trafficking ring.
https://maxpayne.fandom.com/wiki/Unidade_de_For%C3%A7as_Especiais
Max Payne's plot is about the drug Valkyr (Adrenochrome). Valkyr is a performance enhancing healing drug. It is being made in an underground bunker. When Max Payne's wife gets a leaked memo while working for the District Attorney's office by a whisteblowing senator they send people to kill her and her baby. They kill Max's family and the plot is about getting revenge and stopping Valkyr.
https://maxpayne.fandom.com/wiki/Valkyr
https://maxpayne.fandom.com/wiki/Project_Valhalla
All of these plots are what we have been researching.
submitted by CoronavirusCoverage to conspiracy [link] [comments]


2020.04.10 14:30 Denys_Picard A message to Bill de Blasio and all of our Toxic Narcissistic Baby Boomer generation Leadership!

A message to Bill de Blasio and all of our Toxic Narcissistic Baby Boomer generation Leadership!
Bill: It's not the good time to have this kind of discussion for many reasons.
From a layperson, I can tell you that vulgarity in times of crisis as expressed by most groups and entities in positions of leadership and authority has become an expression of political vulgarity, whether it be the opportunism of law enforcement underlining those "important and essential to society"...feminists whom again take the opportunity to promote their fallacious agenda as the WHO whom just printed a "Covid-19 and Violence against women, it is time to act" pamphlet...politicians and their financial and fiscal hoarding opportunities, Hollywood and its condescending fake populism "we are in this all together"...and big tech and pharma who want to sell us on permanent tracking and social restricting, that they can turn life into virtuality for the low life unessential people on the planet, or inoculate everyone for anything...
Today, all politicians agree that social distancing has worked, as proven by the declining level total of fatalities anticipated...but this is a ridiculous JOKE, it takes 21 days from infection to death, and in the US, social distancing has been implemented for only 17 days...actual death rates and estimations are declining, but because most models were rubbish like the Imperial College one sponsored by Neil Ferguson, and the only decent one had, IHME which had a wide state by state database of supply and demand, had made a terrible mistake (purposeful or accidental) in tabulating daily admissions (read my post here, and all my posts from the preceding 8 days, you will understand).
It won't be long that they will put 70% of able adults on "Universal Basic Income"...you won't have to leave your house ever, you will stick in front of your TV or Computer screen all day, lead a pure and moral "virtual" life...in exchange of what you will have to engage in 25 hours of work in volunteering as directed by your Heroes of the Friendly government and First responders task forces...You won't need a car, but public transit or a bicycle...You will get inoculated by the Bill and Melissa GATES from Hell Foundation with a microchip in which your genome and medical history will be printed, which will double as a wonderful GPS tracking application..."just in case another pandemic is around the corner...but they promise it won't be used corruptly by government..". Have you not read what the press is telling we have learned from this manufactured crisis and what we should keep from it.
Mark ZuckerFart will allow the NSA special access to all its world accounts, so that face recognition technology may be implanted quickly for best tracking potential, until we implant microchips on ever single individual on the planet...Because we all need to work together for a "safer" world...
I guess Vulgarity has some staying power, and has become a permanent staple of leadership, ever since the baby boomers have made it a modern Temple of worship.
Anyway, Bill...it is not the time to discuss special medical ethnic demographic injustices right now because we do not know enough about this virus yet, even if you believe that politically it is the best political window.

You proudly state that "Adjusted for population, Blacks and Hispanics have a higher death rate the other ethnic groups (caucasians, I guess)..."

https://www.msn.com/en-gb/video/othemayor-bill-de-blasio-says-black-and-hispanic-people-in-new-york-city-dying-from-coronavirus-at-disproportionate-rates/vi-BB12lkUe

Political Opportunism at \"La Baby Boomers\" style...
From what we know so far, with quite a high degree of certitude, is that this virus is especially virulent to the elderly, whom are usually distributed mostly equally among the differing ethnic demographics (safe for some exception in the Latino community). Yet, we also know that the virus is also very virulent to people with comorbide, persons whom suffer conditions such as Diabetes (to which, principally Type II Diabetes Melitus, the Black and Hispanic Latino community are specially exposed, CVDs, Cancer, Obesity, etc...
If you want to adjust anything (such as "adjusted for population" which sounds very sophisticated to retarded Media), when making such politically charged comments, you have to understand the specifics of the situation, in this case: THE VIRUS (SARS-CoV2)...the health profile , vulnerabilities, of individuals associated to their ethnic group, make a correlation between their comorbidities and a potential failure in their outcome...is it their economic status? the service care to which they had or have access to? their comorbidities? which could be associated to their social of economic status which may be the result of injustices? etc...
From what has emerged in terms of undeveloped observations is that the virus may also have a negative effect on the central nervous system, if so, it is quite possible it has a negative effect on peripheral nervous system, also we now that it creates stiffness for certain persons, implying that either the fascia or the muscular system might be vulnerable, and this include the heart (which is enveloped, as all muscle, by the fascia, a tissue vulnerable to saccharides feeding organisms, such as bacteria and viruses, and which is also a muscle), etc...
The fascia is a whole body tissue to which insufficient focus is given scientifically. It serves as bags to muscles. 80% of nociceptive receptors (does sending pain signals) of the skeletal muscles system are located on the Fascia (so when you think your muscles ache, the signal often comes from the fascia, since only 20% of nociceptive receptors are actually in the muscle). The fascia is mostly composed of Proteo-glycans (protein-carbohydrates molecules). It appears progressively evident that fascia rigidity may be a important cause of cardiac incidents. Hyperglycemia, as encountered in Diabetes Melitus Type II, creates an over-expression of proteo-glycans which provokes structural rigidity. Lower back pain, in most cases, the "lumbago" appears to be due to the fascias rigidity. For those interested:
Fascia: a morphological description and classification system based on a literature review
Clinical and symptomatological reflections: the fascial system
Continuous -Opioid Receptor Activation Reduces Neuronal Voltage-Gated Sodium Channel (NaV1.7) Levels throughActivation of Protein Kinase C in Painful Diabetic Neuropathy
We have witnessed over the past month a non-ending incontinence of political opportunism by all special interest groups, politicians at all level of government and all forms of leadership ("As Seen on TV" and sponsored by Main Stream Media, Big Tech and Pharma ) ...So, Bill de Blasio, Please don't add to it.
_____________________________________________________________
An aside:
When I was studying in at Feminist Business school Ecoles des Hautes Études Commerciales (HEC) of Montreal in 1997, I had to take a test in English performance to determine if I needed a special class of Shakespeare language to get my diploma..keep in mind that 65% of the teachers were uni-lingual French and 50% of the students. This test consisted of a written exam and interview. In the interview, the women managing the test asked to describe in English a drawing with a city, a road and a courier on a bicycle. When I accomplished this, she said: "Yes, this is exactly what we expect from you, to be the courier between the arts and the business". (you can read my personal "history" situation which might have lead to these kinds of abuse of power situation by incompetent feminists here).
It was determined I needed the class, which was mandatory for 3% of the night class attendees even if I scored 97% in the written exam.
At the first class, because I was in my 30s, and most of the other students were female in the early 20s, I was chosen to represent a stupid male business office person who was very prejudicial against women. So it went on for about 40 minutes of improvisation where women could insult me, push me around, mock...so as to gain confidence in themselves "despite their impediment in English...". The 45 somewhat teacher was a Concordia University feminist whom did not give English classes, but was a teacher in social studies.
After this great 40 minutes introduction to feminism, she started a diatribe about what this "English" class was going to be about. Then she digressed about a story which she heard from a feminist friend, whom heard it from another feminist friend, etc...The story went like this: "It appears that when Bill gates once visited India, maybe for the first time, he had been picked up at the New Delhi airport by a limo, filled with officials, whom started to brief him right away on his visit. Bill was tired, and was dazing out the window, when suddenly he said: "This is where I see the future, in Sacred Cows". Sacred cows whom were filling the fields they were traveling within. It appeared to have seduced his audience immediately, and he became an instant hero..."
What is true about this story, I don't know, but our teacher sure looked "emotionalized" when recounting and after. Eyes for of tears as she was looking at the students, except when crossing my eyes, and she became filled with a smile and condescension...
For me, this anecdote, if true, just indicated to me that Bill understood the unintelligent and narcissistic nature of women's psychology...
I guess that eventually Bill himself, or maybe Michelle retold this story to Barack...and is probably where Barack got the inspiration for his famous Urgency of Cows, a doctrine which stipulates that any action which empowers women, no matter how criminal it is, legitimate and should be celebrated...

The doctrine Urgency Of Cows, where criminal activity which empowers women are welcome by our Leadership...like slicing the throat of their children...
Need I say I quit this "English" class after this first session...
submitted by Denys_Picard to u/Denys_Picard [link] [comments]


2020.03.28 20:47 Elhemio Hi, could you please check my story ?

There's most likely a lot of mistakes (I'm a beginner) so it would be super helpful if you could check it out please c:
Holà ! Mi nombre es Aileen y salió en Chile. Desde que fue una nina, siempre quisé viajar y vivir en otro pais, especialmente en los estados unidos porque me pareció mas moderno que el chile, y porquer yo frecuentemente vivió peliculas americanas en la televisión, entonces yo deseé ver si la vida era la misma que lo que vemos en las serias, como con el baile de fin de curso o los adolescentes que poden conducir a las 16 (en Chile tenemos que tener 21 anos par poder tomar la licencia de conducir).Y tambien quisé mejorar me en Inglès, encontrar nuevas personas y descovrir varios culturas (porque los Estados Unidos obviamente son un melting pot). Venir era un poco facil porque tengo una tia que vive en Miami so podió patrocinador me para obtener un visa. Ahora estoy en una puequena ciudad a sólo 5 minutos de distancia de Portland pero, al principio fui a Los Angeles porque es una de las ciudades mas famosas del mundo, y era joven entonces deseé estar en una ciudad mas poblada con muchas cosas que hacer ! Y tengo que admitir que esperé que podría encontrar une muchacho a quien me gustaría… Sin embargo, solalmente tenia 18 anos entonces todavía era una estudiante, que significa que no tuve mucho dinero. Encontrar un apartamento en alquiler fue difficil, porque era muy costoso ! Eventualmente topé con un bicho raro : un piso compartido (flat sharing ?) en Hollywood ! Estuve frenetica ! Un otro probléma que encuentró fue el precio de las estudies. No obstante me dieron una beca de estudios. Soy del sur de Chile, asi que fue difficil adaptarse al calor de la California ! Todos aceptaban mis orígenes, pero la gente tenía algún tipo de actitud que no me gustaba. Además, la ciudad estaba tan extendida que tardó una eternidad en ir de un lugar a otro. Fue agradable ir de fiesta e ir a la playa pero se hizo viejo. Estaba estudiando para ser ingeniero en el "Instituto de Tecnología de California", donde conocí a mi esposo actual. Una vez que ambos nos graduamos, nos mudamos a nuestra pequeña ciudad pequeña, que se llama Forks. Llueve mucho y hay un ambiente sombrío durante todo el año, pero nos gusta. No está demasiado lleno tampoco. Probablemente me voy a quedar aquí, casarme con mi novio me permitió obtener la nacionalidad estadounidense, aunque lamento que no haya un sistema de salud adecuado aquí. La idioma fue un poco difícil al principio, pero rápidamente me adapté agradecido. La gente aquí tiene más prejuicios hacia los latinos que en Los Ángeles, pero todavía no ha pasado nada malo. Ah, por cierto, también me encontré con luchas menores, como por ejemplo el hecho de que todo tiene un nombre diferente. ¡Fue difícil encontrar algunos ingredientes! La comida es mucho más grande que en el resto del mundo, y cuando voy al restaurante me dan una enorme cantidad de comida, ¡así que tuve que acostumbrarme a los “doggy bags”! Las leyes son complicadas y la vida es tan elegante como se muestra en las películas, pero sigue siendo bastante buena. Oh ! Y las paredes de los baños públicos no están completas, lo cual es muy molesto. Pero, de lo contrario, estoy muy contento con mi mudanza y definitivamente nos instalaremos aquí, aunque viajamos mucho, y me alegra llamar a este lugar "hogar".
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2020.01.21 16:56 CuteBananaMuffin False Flagging The world Towards War - CIA weaponized Hollywood

False Flagging The world Towards War - CIA weaponized Hollywood
by Larry Chin December 27, 2014 from GlobalResearch Website


https://preview.redd.it/8l8juc26m5c41.jpg?width=450&format=pjpg&auto=webp&s=4e2f123ce6980ec1befe6b31512fe7d9832f1424

Almost all wars begin with false flag operations.
The coming conflicts in North Korea and Russia are no exception.
Mass public hysteria is being manufactured to justify aggression against Moscow and Pyongyang, in retaliation for acts attributed to the North Korean and Russian governments, but orchestrated and carried out by the CIA and the Pentagon.

The false flagging of North Korea - CIA weaponizes Hollywood The campaign of aggression against North Korea, from the hacking of Sony and the crescendo of noise over the film, The Interview), bears all the markings of a CIA false flag operation.
The hacking and alleged threats to moviegoers has been blamed entirely on North Korea, without a shred of credible evidence beyond unsubstantiated accusations by the FBI. Pyongyang's responsibility has not been proven. But it has already been officially endorsed, and publicly embraced as fact.
The idea of "America under attack by North Korea" is a lie.
The actual individuals of the mysterious group responsible for the hacking remain conveniently unidentified. A multitude of possibilities - Sony insiders, hackers-for-hire, generic Internet vandalism - have not been explored in earnest.
The more plausible involvement of US spying agencies - the CIA, the NSA, etc. , their overwhelming technological capability and their peerless hacking and surveillance powers - remains studiously ignored.
Who benefits?
It is illogical for Pyongyang to have done it. Isolated, impoverished North Korea, which has wanted improved relations with the United States for years (to no avail), gains nothing by cyberattacking the United States with its relatively weak capabilities, and face the certainty of overwhelming cyber and military response.
On the other hand, Washington benefits greatly from any action that leads to regime change in North Korea.
But discussion about Pyongyang's involvement - or lack of - risks missing the larger point.
This project, from the creation of The Interview to the well-orchestrated international incident, has been guided by the CIA, the Pentagon, and the State Department from the start. It is propaganda. It is a weapon of psychological warfare. It is an especially perverted example of military-intelligence manipulation of popular culture for the purpose of war.
There is nothing funny about any of it.
The Interview was made with the direct and open involvement of CIA and Rand Corporation operatives for the express purpose of destabilizing North Korea.
Star and co-director Seth Rogen has admitted that he worked,
"directly with people who work in the government as consultants, who I'm convinced are in the CIA".
Originally conceived to be a plot taking place in an "unnamed country", Sony Pictures co-chairman Michael Lynton, who also sits on the board of the Rand Corporation, encouraged the film makers to make the movie overtly about murdering Kim Jong-Un.
Bruce Bennett, the Rand Corporation's North Korean specialist, also had an active role, expressing enthusiasm that the film would assist regime change and spark South Korean action against Pyongyang.
Other government figures from the State Department, even operatives connected to Hillary Clinton, read the script.
The infantile, imbecilic, tasteless, reckless idiots involved with The Interview, including the tasteless Rogen and co-director Evan Goldberg, worked with these military-intelligence thugs for months. "Hung out" with them.
They do not seem to have had any problem being the political whores for these Langley death merchants. In fact, they had fun doing it. They seem not to give a damn, or even half a damn, that the CIA and the Pentagon have used them, and co-opted the film for an agenda far bigger than the stupid movie itself.
All they seem to care about was that they are getting publicity, and more publicity, and got to make a stupid movie. Idiots.
The CIA has now succeeded in setting off a wave of anti-North Korea war hysteria across America.
Witness the ignorant squeals and cries from ignorant Americans about how,
"we can't let North Korea blackmail us", "we can't let Kim take away our free speech".
Listen to the ridiculous debate over whether Sony has the "courage" to release the film to "stand up to the evil North Koreans" who would "blackmail America" and "violate the rights" of idiot filmgoers, who now see it as a "patriotic duty" to see the film.
These mental midgets - their worldviews shaped by the CIA culture ministry with its endorsed pro-war entertainment, violent video games, and gung-ho shoot ‘em ups - are hopelessly brain-curdled, irretrievably lost. Nihilistic and soulless, as well as stupid, most Americans have no problem seeing Kim Jong-Un killed, on screen or in reality.
This slice of ugly America is the CIA's finest post-9/11 army: violent, hate-filled, easily manipulated, eager to obey sheeple who march to whatever drumbeat they set.
And then there are the truly dumb, fools who are oblivious to most of reality, who would say "hey lighten up, it's only a comedy" and "it's only a movie". Naïve, entitled, exceptionalist Americans think the business of the war - the murderous agenda they and their movie are helping the CIA carry out - is all just a game.
The CIA's business is death, and that there are actual assassination plans in the files of the CIA, targeting heads of state.
Kim Jong-Un is undoubtedly on a real assassination list. This is no funny, either.
The real act of war The provocative, hostile diplomatic stance of the Obama administration speaks for itself. Washington wanted to spark an international incident.
It wants regime change in Pyongyang, does not care what North Korea or China think, and does not fear anything North Korea will do about it.
On the other hand, imagine if a film were about the assassination of Benjamin Netanyahu and the toppling of the government in Tel Aviv. Such a film, if it would ever be permitted even in script form, would be stopped cold.
If it made it through censors that "magically" never slowed down The Interview (and yes, there is censorship in America, a lot of it) Obama would personally fly to Tel Aviv to apologize. At the very least, Washington would issue statements distancing themselves from the film and its content.
Not so in the case of The Interview. Because American elites actually want the Kim family murdered.
Despite providing no proof of North Korean involvement, President Barack Obama promised a "proportional response". Promptly, North Korea's Internet was mysteriously shut down for a day.
Unless one is naïve to believe in this coincidence, all signs point to US spy agencies (CIA, NSA, etc.) or hackers working on behalf of Washington and Langley.
Given the likelihood that North Korea had nothing to do with either the hacking of Sony, the initial pulling of the movie (a big part of the publicity stunt, that was not surprisingly reversed) or the "blackmailing" of moviegoers, the shutting down of North Korea's Internet was therefore a unilateral, unprovoked act of war.
Washington has not officially taken responsibility. For reasons of plausible denial, it never will.
Perhaps it was a dry run. A message. The US got to test how easily it can take down North Korea's grid. As we witnessed, given overwhelming technological advantage, it was very easy. And when a war against Pyongyang begins in earnest, American forces will know exactly what they will do.
The US is flexing its Asia-Pacific muscles, sending a message not only to Pyongyang, but to China, a big future target.
Some of the other muscle-flexing in recent months included the anti-Beijing protests in Hong Kong (assisted by the CIA and the US State Department), ongoing provocations in the South China Sea over disputed oil, and new defense agreements that place new anti-missile systems and missile-guided naval vessels to the region.
The bottom line is that America has once again been mobilized into supporting a new war that could take place soon. The CIA and Sony have successfully weaponized a stupid movie, making it into a cause and a battle cry.
If and when bombs fall on North Korea, blood will be on the hands of the makers of The Interview, every single executive who allowed it to be made, and the hordes who paid to see it.
If America were a decent, sane society, The Interview would be exposed, roundly denounced, boycotted and shunned. Instead it is celebrated. The CIA should be condemned. Instead, Seth Rogen hangs out with them.
America, increasingly dysfunctional, loves them. Obeys them.
The false flagging of Russia Regarding The Interview, Russian Foreign Ministry spokesman Alexander Lukashevich issued a statement in sympathy with North Korea, correctly calling the film's concept aggressive and scandalous, and decried the US retaliatory response as counterproductive and dangerous to international relations.
Of course. Washington has no interest in improved international relations. The Russians should know. Like Kim Jong-Un, Vladimir Putin has been vilified, demonized and false-flagged, incessantly. If Kim is today's object of ridicule, Putin is Evil Incarnate.
Consider the hysterical, desperate provocations by Washington in recent months.
A US-NATO coup, engineered by the CIA, toppled the government of Ukraine, planting a pro-US neo-Nazi criminal apparatus on Russia's doorstep. The CIA and its worldwide network of propagandists pinned the blame on Putin and Russia for aggression, and for obstructing "democracy".
The MH-17 jetliner is downed by Ukrainian operatives, with the support of the CIA, Mi-6, etc. etc. This false flag operation was blamed on Russia - "Putin's Missile". The US and NATO are still trying to pin these murders on Putin.
The war against the Islamic State - a massive CIA false flag operation - seeks to topple with the the Assad government as well as to militarily counter Russia.
The ongoing Anglo-American conquest of regional oil and gas supplies, and energy transport routes is also aimed at checkmating Russia and China across the region.
The US and NATO have attacked the Russian federation with sanctions. The US and Saudi Arabia have collapsed oil prices, to further destroy the Russian economy. Full-scale military escalations are being planned. The US Congress is pushing new legislation tantamount to an open declaration of war against Russia.
What next?
Perhaps it is time for the CIA to produce a Seth Rogen-James Franco movie about assassinating Putin. Another "parody". Or how about a movie about killing Assad, or anyone else the United States wants to make into a Public Enemy? Don't think Langley isn't working on it.
The return of the Bushes (who were never gone) In the midst of all escalating war hysteria comes news that Jeb Bush is "actively exploring" running for president in 2016. The long predicted return of the Bush family, the kings of terrorism, the emperors of the false flag operation, back to the White House appears imminent.
The CIA will have its favorite family back in the Oval Office, with true CIA scion to manage the apocalyptic wars are likely to be launched in earnest in the next two years:
Russia/Ukraine North Korea the Middle East
Jeb Bush will "finish the job" The 2016 presidential "contest" will be a charade. It is likely to put forth two corrupt establishment political "friends" posing as adversaries, when in fact, they are longtime comrades and conspirators.
On one side, Hillary (and Bill) Clinton. On the other side, Jeb Bush, with George H.W., George W. and all of the Bush cronies crawling back out of the rotten woodwork.
The fact is that the Clintons and Bushes, and their intertwined networks, have run the country since the 1980s, their respective camps taking turns in power, with Obama as transitional figurehead (his administration has always been run by neoliberal elites connected to the Clintonistas, including Hillary Clinton herself).
The collective history of the Bushes stretches back to the very founding of the American intelligence state. It is the very history of modern war criminality. The resume is George H. W. Bush - the CIA operative and CIA Director - is long and bloody, and littered with cocaine dust.
The entire Bush family ran the Iran-Contra/CIA drug apparatus, with the Clintons among the Bush network's full partners in the massive drug/weapons/banking frauds of that era, the effects of which still resonate today.
And we need not remind that the Bush clan and 9/11 are responsible for the world of terror and false flag foreign policy and deception that we suffer today.
While it remains too early to know which way the Establishment will go with their selection (and it depends on how world war shakes out between now and 2016), it is highly likely that Jeb
Bush would be the pick Hillary Clinton has already been scandalized - "Benghazi-ed".
Jeb Bush, on the other hand, has ideal Establishment/CIA pedigree. He has waited years for the stupid American public to forget the horrors that his family - Georges H.W. and W. - brought humanity. And now Americans , with their ultra-short memories, have indeed forgotten, if they had ever understood it in the first place.
And the American public does not know who Jeb Bush is, beyond the last name.
Jeb Bush, whom Barbara Bush always said was the "smart one", has been involved in Bush narco-criminal business since Iran-Contra. His criminal activities in Florida, his connection with anti-Castro Cuban terrorists and other connections are there, for those who bother to investigate them.
His Latin American connections - including his ability to speak fluent Spanish, a Latin wife and a half-Latin son (George P. Bush, the next up and coming political Bush) - conveniently appeals to the fastest-growing demographic, as well as those in the southern hemisphere drug trade.
Recent Obama overtures towards the Latino demographic - immigration, Cuba - appear to be a Democratic Party move to counter Jeb Bush's known strengths in the same demographic.
Today, in the collective American mind,
Kim Jong-Un and Vladimir Putin are "the bad guys". But the mass murdering war criminal Bushes are saints, "nice guys"
A Jeb Bush presidency will be a pure war presidency, one that promises terror, more unspeakable than we are experiencing now, lording it over a world engulfed in holocaust.
This is not a movie.
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2020.01.12 15:09 Lumpy_Actuator Descargar Once Upon A Time ... In Hollywood 2019 Gratis en Espanol Latino

Descargar Once Upon A Time ... In Hollywood 2019 Gratis en Espanol Latino submitted by Lumpy_Actuator to u/Lumpy_Actuator [link] [comments]


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2019.09.28 21:32 Enchilada_McMustang "El nuevo oscurantismo: La ofensa nuestra de cada día" por Oscar Larroca

El nuevo oscurantismo: La ofensa nuestra de cada día
Óscar Larroca
(Nota publicada en número 52 de "La Pupila")
Historia
"No existe la censura moral, solo la ideológica" Federico Fellini
La censura significa, ni más ni menos, la imposición de límites a la libertad de expresión. Antes bien, esa expresión puede estar habitada por la nobleza o ser denigrante y apologética de delitos. De todos modos, la censura a cualquiera de esas posibilidades expresivas será impuesta por sujetos con poder que han asumido la voluntad de silenciar todas las ideas contrarias a sus intereses, normas o convicciones religiosas. Esas ideas, controversiales y pasibles de ser censuradas se transmiten a través de la oralidad, la escritura o la imagen, siendo las artes (literatura y pintura, principalmente) los blancos preferidos por tiranos de diverso linaje. En efecto, al pincel, la pluma y la voz, se agregó un elemento tutelar: la tijera.
Podemos determinar los distintos tipos de censura en función de quienes la invocan: estatal y directa (como la llevada adelante por genocidas de la talla de Hitler y Stalin), estatal e indirecta (mediante recursos de amparo, decretos y leyes consensuadas en defensa de la minoridad y de una «moral media» pública), religiosa y directa (como la ejercida por la Santa Inquisición), y civil y directa (protagonizada por organizaciones civiles profascistas, organizaciones «familiares» provida, o colectivos de adscripción).
La censura moral estuvo ligada a las religiones monoteístas, las cuales han participado activamente durante siglos en la fiscalización de todo material producido por escritores, artistas visuales y dramaturgos. Así, se hizo tristemente famosa la «hoguera de las vanidades» organizada por Savonarola: un acto pedagógico y purificador hacia el pueblo florentino. Algo análogo a lo que en el transcurso de las centurias otros opresores han hecho usando también hogueras, potros de tormento, campos de exterminio, «justicias infinitas» y «guerras santas».
El argumento más utilizado a la hora de justificar la censura es la ofensa. En la Inglaterra del siglo XIX se pusieron de moda algunos eufemismos y circunloquios bajo ese fundamento. Llegó a ser impensable utilizar en sociedad la palabra leg (pierna), breast o su plural breasts (senos). Para que nadie pensara en las piernas, las de los pianos (piano legs) se disfrazaban con telas, y las patas de las mesas estaban cubiertas con largos manteles. Según el investigador G. Rattray Taylor, era incluso inaceptable preguntarle a una mujer en una cena: «May I serve you a leg of chicken?» («¿Le puedo servir una pierna de pollo?»). Tampoco se podía decir trousers (pantalones), mejor pues: femoral habiliments (prendas femorales).
En los países de habla hispana los rodeos léxicos se emplearon frecuentemente hasta bien entrada la segunda mitad del siglo XX. Los genitales, por obra y gracia del pecado original, se convirtieron en «partes pudendas», «las vergüenzas», «las partes menos honestas» y «las partes». Con la aparición de la censura como institución jurídica, los jueces debieron ser más precisos en la tipificación de las obras que incurrían en esa nueva figura delictiva. En principio, esta obligación legal y política por definir aspectos asociados a la ofensa o la discriminación fue asumida por el trabajo concreto (ad hoc) de los juristas que tienen por cometido trazar los límites de lo que es socialmente aceptable. Hasta el segundo tercio del siglo XX su trabajo consistía, en algunos casos, en determinar si el vello púbico podía ser mostrado en una escena cinematográfica, o cuándo exactamente un pene debía ser declarado en erección.
La Iglesia y el Estado han recorrido un imbricado y azaroso camino desde las persecuciones en tiempos del Imperio romano, pasando por el césaropapismo bizantino, las teocracias y el galicanismo, hasta los modernos Estados-nación, en los que el gobierno asume la totalidad del poder temporal en beneficio de la moral pública y la cohesión nacional por sobre la pluralidad de intereses y credos.
Volviendo al tema de la censura moral, en 1930, la Asociación de Productores Cinematográficos de Estados Unidos (MPPA) aprobó un código pudoroso, más conocido como Código Hays por el nombre de uno de sus mentores intelectuales, Will H. Hays, y conocido también como «La censura cinematográfica de Hollywood». Su marco regulatorio fiscalizaba las siguientes temáticas: crímenes, blasfemias, alcohol, danza, y, por cierto, el vestuario, la sexualidad y el desnudo. Hasta 1956 el código permaneció inalterado, pero entre ese año y 1963 tuvo sus modificaciones, inevitables, hasta su desaparición definitiva.
Medio siglo más tarde, la censura regresa de la mano de grupos que fomentan la corrección política y la defensa a todo aquel espectador que exprese haber padecido algún tipo de ofensa. Curiosamente, esos grupos pertenecen a movimientos políticos organizados vinculados a la izquierda, a la inversa de lo que sucedió históricamente donde los perseguidores estaban vinculados a corporaciones derechistas. Esta voluntariosa disposición de purificar de la plaza pública a los ofensores en nombre de «la verdad», se parece demasiado a la ideología totalitaria, hoy ejecutada por quienes ayer estaban comprometidos con la emancipación del sujeto. Obsérvese que estos colectivos progresistas son muy abiertos ante aquellas obras artísticas que evoquen el sadomasoquismo, la ingesta de drogas, la promiscuidad o la genitalidad (lo cual, en principio, habla acertadamente de quien no antepone «lo moral» por encima de la estética). A decir verdad, no manifiestan demasiados reparos ante la representación de la crudeza, la performance violenta o la pornografía. Solo disparan sobre la producción simbólica, por ejemplo, cuando el relato ofende a una raza (por ausencia, por contexto o por humor) o cuando ofende a la mujer (si el personaje es demasiado femenino, estereotipado o sumiso). También colocarán la mira sobre el autor de acuerdo a las acciones que llevó adelante en su vida privada.
“Dibujitos animados racistas y machistas”
Algunos colectivos afines a las minorías étnicas pidieron a Netflix que retire de su grilla la serie Friends, por considerarla racista y misógina. Al mismo tiempo aterrizaron en Hollywood para exigir a la industria del cine que incluya, para la elaboración de sus personajes de ficción, la diversidad racial, antropomórfica y sexual. Hay series para adolescentes como Popular (cuyo autor es Ryan Murphy, el libretista de Glee) en la que sus personajes son negros, coreanos, indios, latinos y descendientes de las tribus nativas de Norteamérica. También hay una cuota para adolescentes petisos (Zoey 101, de Nickelodeon) y otra para individuos transexuales. La señal FOX Premium anunció el comienzo de Pose, la primera serie subtitulada al español con lenguaje inclusivo («nosotres», «estimades amigues», etcétera). En Netflix sobreabundan los documentales apologéticos sobre drogas y las series con personajes homosexuales, pero al mismo tiempo la empresa cuenta con un «coordinador de intimidad» (un eufemismo para esquivar la palabra «censor»).
Con respecto a la «visibilización de la diversidad», esta no pasa por llevar a la ficción un personaje de cada etnia, género, cultura o talla corporal. La literalidad es patrimonio de la realidad (o de una parte de ella) pero no es un atributo de la ficción. Precisamente, esa cercanía con lo real ha provocado que algunos espectadores confundan simulacro con realismo, ficción con literalidad y humor con blasfemia. A tal punto que varios jóvenes estadounidenses exigieron a las autoridades de FOX y a los guionistas de la serie animada Los Simpsons que suprimieran de la serie al personaje Apu por considerarlo un estereotipo ofensivo hacia la raza india. Es decir, por un lado, existe un reclamo para que se habilite una cuota étnica y racial, pero por otro lado, si los guionistas incurren en alguna «broma cruel» (el italiano mafioso, el policía corrupto, el clérigo pedófilo, el indio lleno de hijos, la mucama mexicana) se evoca la etiqueta de la ofensa y se exige su retiro. En el año 2019, la empresa Disney decidió eliminar de Toy Story 2 una escena donde asoma un aparente hecho de acoso sexual. La escena transcurre dentro de la caja donde se encuentra Oloroso Pete y dos muñecas Barbie. Esto es lo que dice el muñeco: «Ustedes dos son de verdad idénticas. Puedo conseguirles un papel en Toy Story 3». Tras esta frase, el personaje mira a la cámara y advierte que lo están grabando: «Perdón. ¿Es la toma? Bueno, chicas. Fue un verdadero gusto. Y cuando quieran que les dé consejos de actuación será un placer ayudarlas». La escena hace referencia a lo que en Estados Unidos se conoce como casting coach, o «casting sábana» en el Río de la Plata, acoso denunciado por muchas actrices.
“Libros machistas para niños”
Una escuela pública de la localidad española de Sarriá (Barcelona) ha retirado de su biblioteca 200 títulos porque no son del agrado de los defensores de esta nueva agenda de derechos. «Cuentos emblemáticos como La leyenda de San Jordi, Caperucita roja o La bella durmiente son ejemplares de historias tóxicas en perspectiva de género». La censura se ha llevado a cabo después de un «análisis exhaustivo de su contenido» […] «Se ha concluido que la mayoría de los personajes femeninos son secundarios y se les atribuyen tareas de cuidados o maternidad o tienen roles relacionados con el amor» (sic). De hecho, solo el 11 % de los libros han sido considerados «positivos en perspectiva de género». Vale entender que estos personajes «positivos» carecen de relieve y conflictos: no tienen, por ejemplo, atributos vinculados al cuidado doméstico (de hermanos o ancianos), ni están vinculados a la maternidad («un estereotipo impuesto por el patriarcado y la heteronorma», dicen). La institución alega que «los cuentos que son sexistas pueden contribuir, a la larga, a actitudes machistas o, incluso, de violencia de género». Es decir, si un niño lee el «sexista» La bella durmiente, puede provocar que acabe siendo un maltratador de mujeres.
La crítica literaria española Ana Garralón se pregunta qué harán con los títulos censurados: ¿Acaso quemarlos, como hacían los nazis y los comunistas con los libros que consideraban incorrectos? La Constitución española ampara en su Artículo 20 el derecho a la creación literaria y prohíbe expresamente la censura previa, por lo que los censores se apresuraron a precisar que Caperucita roja finalmente no sería retirado, «si bien no había pasado el test» (sic).
Para Garralón, censurar libros destinados a los niños es una práctica tan arcaica como la historia del libro y de la pedagogía. A fines de la década de 1990 varios lectores se quejaron de que en el bestseller ¿Dónde está Wally? «aparecía una mujer en topless». Un poco de escándalo fue suficiente para «vestirla» en su siguiente tiraje de imprenta. Todo este control y amenazas veladas repercuten en los hacedores de libros: escritores, editores e ilustradores. La ambigüedad, necesaria en la literatura, empieza a evaporarse. El humor, que se basa en la parodia y en ridiculizar, es uno de los grandes ausentes. Y nadie quiere que le acusen de ofender a los demás.
En la década de 1980 se comenzó a utilizar en una universidad estadounidense el término «políticamente correcto» para evitar las ofensas, acaso como un reflote involuntario de los eufemismos creados por los ingleses a mediados del siglo XIX. En lugar de decir «negro» se debe decir «persona de color» o «afroamericano», entre otras recomendaciones de un muy extenso listado que busca suavizar los calificativos considerados como humillantes. En 1990, el comediante estadounidense James Finn Garner publicó un libro donde aplicaba esta norma. El volumen se tituló Cuentos infantiles políticamente correctos. El de Caperucita roja comienza así: «Érase una vez una persona de corta edad llamada Caperucita Roja, que vivía con su madre en la linde de un bosque. Un día, su madre le pidió que llevase una cesta con fruta fresca y agua mineral a casa de su abuela, pero no porque lo considerara una labor propia de mujeres, sino porque ello representaba un acto generoso que contribuía a afianzar la sensación de comunidad.»
Garralón observa que la literatura en general y los libros para niños en particular se empiezan a leer bajo una mirada hipersensible. Blancanieves es considerada inmoral por convivir con siete enanitos y, desde luego, se persigue a las princesas por perpetuar «modelos patriarcales» (excepto las que se «deconstruyen»: no se depilan las axilas y eructan). Como se sabe, paralelamente a la censura ejercida por «otro más poderoso» debemos considerar la autocensura: reflejo voluntario o involuntario en el autor como consecuencia de estos sojuzgamientos sociales. Por lo tanto ¿cómo escribir sin temor ante esa vigilancia en un mundo que está leyendo todo de manera literal?
En Alemania, un clásico como La pequeña bruja, de Otfried Preussler, está siendo revisionado para que se suprima del texto a dos personajes: un niño disfrazado de esquimal y otro de niño negro. La editorial negocia duramente con los herederos, quienes se defienden diciendo que el autor no era racista. Pero eso no será relevante: la policía del pensamiento tendrá la última palabra.
No importa la procedencia del escritor ni lo que hayas escrito, dice Garralón. Si el autor osó escribir la palabra «negro» para referirse a un personaje de piel negra, toda su obra será cuestionada. Los valores estéticos no son tomados en cuenta. Cada grupo, además, tiene una legión de «escritores» que inspeccionarán los cuentos (los libres de derechos de autor) para readaptarlos según sus consignas. El caso más reciente es una versión de El Principito, titulado La Principesa. Las autoras indican que, además de ser una traducción de género, «se reescribe con una mujer protagonista que viaja a planetas donde los oficios son desempeñados indistintamente por hombres y mujeres, donde los animales reciben un trato más amable que en la obra original y la rosa se ha transformado en un clavel» (sic). No es posible imaginar qué cosa podría haber respondido Antoine de Saint-Exupéry ante la frase «…los animales reciben un trato más amable que en la obra original…».
“Arte machista para adultos”
Hasta aquí, un ligero resumen de lo que acontece en el mundo editorial. ¿Pero qué sucede con aquellos artistas que nos han legado una obra artística extraordinaria pero sus vidas privadas son objeto de condena? En los últimos dos años, Gustave Courbet, Auguste Rodin, Pablo Picasso, Charles Dickens, Albert Einstein, James Joyce, Steve McQueen, Robert Crumb, Mick Jagger, Morgan Freeman, John Belushi, Quentin Tarantino, Jorge Lanata, Alfredo Casero, Ricardo Darín y Osvaldo Laport han sido algunos de los muchos creadores, políticos, actores, periodistas y hombres de ciencia señalados como misóginos.
En el Reino Unido, la Manchester Art Gallery retiró una pintura del prerrafaelista William Waterhouse, Hilas y las ninfas (1896), para «abrir un diálogo en torno al papel de la mujer en el arte». En España, doce mil personas firmaron un manifiesto para que se retirara de una muestra transitoria la pintura Térèse soñando (1938), de Balthus: una jovencita que deja ver, de manera provocativa, su ropa interior.
La lista no se detiene allí. Woody Allen ha sido descalificado como depravado y señalado como un sujeto execrable que mantuvo una relación incestuosa con su hija adoptada, mientras Kevin Spacey fue denunciado como acosador. El documental Leaving Neverland (Dan Reed, 2019) aborda en sus casi cuatro horas de duración los abusos sexuales perpetrados por Michael Jackson. Si bien todas estas conductas deben ser evaluadas y condenadas en los estamentos legales correspondientes, los activistas intentan desplazar el repudio hacia las creaciones artísticas de los acusados. Así, los detractores han presionado a las instituciones culturales, sellos cinematográficos y cadenas de distribución para que las obras de los nombrados fueran quitadas de las galerías (Pablo Picasso), se les rescindiera sus contratos cinematográficos (Woody Allen, Kevin Spacey) o se los purgara de alguna serie de dibujos animados (Michael Jackson). Resta saber quiénes son los mentores principales que —acechando bajo el argumento del oprobio y las prendas de la diversidad— contribuyen con cuantiosos recursos económicos para que toda esta cacería planetaria sea simultánea, sistemática y organizada.
“Racismo”
En mayo del año 2019, la escuela secundaria George Washington de la ciudad de San Francisco decidió invertir 600.000 dólares para destruir una serie de trece murales que cubren 150 metros cuadrados y narran la historia del primer presidente estadounidense, George Washington. El autor de las obras, Victor Arnautoff, fue un artista soviético que había emigrado a Estados Unidos y que en la década de 1930 pintó murales en edificios públicos para la Administración de Trabajo del gobierno, un proyecto de Franklin Roosevelt para darle empleo a artistas desempleados por la Gran Depresión. En los murales de Arnautoff, Washington les da órdenes a sus esclavos, los exploradores matan indios y el prócer aparece rodeado de sirvientes.
La escuela eliminó esas pinturas, no porque defiendan la idea de un prócer impoluto, sino porque «la presentación de minorías solo como víctimas es una agresión a nuestro alumnado. Queremos brindarles a nuestros alumnos un ambiente seguro» (sic).
En Uruguay, en el año 2018, se suscitó una polémica a propósito de un cartel en el que se muestra a una mujer negra amamantado a un bebé blanco. El afiche respondía a la convocatoria anual que hacen los organizadores de la fiesta de la Patria Gaucha, en Tacuarembó. El MIDES, a través de la ministra Marina Arismendi, lo consideró «racista y retrógrado» («Nos atrasa un siglo y medio», dijo la ministra). Del mismo modo que alguien podría haberse visto afectado por alguna razón genuina (tatarabuelos negros y esclavos), también se podría ver un homenaje a la relación desinteresada entre una nodriza y un niño que necesitaba alimento. Se podrá refutar que quienes así opinan tienen una mirada ingenua y pastoril a propósito del sufrimiento que padecieron los esclavos. Sin embargo, podría haber tanto racismo en quien pide que se retire la figura de la mujer negra, como en quien utilizó la estampa de la misma mujer para promover un evento folclórico.
La Diputada por el Partido Nacional, Gloria Rodríguez Santo (una legisladora de piel negra), escribió lo siguiente: «Es en esa imagen del “ama de leche”, quizás por nuestro orgullo de ser afrodescendientes, que vemos un mensaje mucho más profundo y positivo que a la época o a las prácticas nefastas a las que pueda retrotraer.»
En Londres, la guionista británica Karla Marie Sweet se quejó de que no entendía la ausencia de actores negros en la exitosa serie de HBO Chernóbil, basada en la tragedia ocurrida en 1986 en la central nuclear de la Ucrania soviética. Sweet explicó en Twitter que se sentía «decepcionada» al ver «un programa exitoso con un elenco masivo» que invisibiliza a «las personas de color» (sic). En respuesta, uno de los comentaristas le respondió: «No había personas “de color” porque en esa zona de la ex Unión Soviética el tipo racial predominante es el blanco-rubio». Luego de ese intercambio, la guionista restringió el acceso a su cuenta. Pero, como señalé más arriba, la censura está dirigida no solo a la obra, sino también a sus autores. Si esos creadores, además, tienen un oscuro pasado en sus vidas privadas, tanto mejor. En este momento de revisionismo, un grupo de historiadores descubrió —hurgando en documentos y testimonios de su biografía— que Mahatma Gandhi llegó a abrazar el racismo durante su juventud. El objetivo es desacreditar sus acciones y echar por tierra su consagración como sujeto pacifista y líder de masas.
“Ciencia racista y misógina”
Según relata el crítico Jorge Barreiro, un grupo de estudiantes de la Universidad de las Artes de Filadelfia pidió que no se dejara hablar, y que se despidiera, a la profesora —y feminista— Camille Paglia, una de sus académicas más prestigiosas, por sus críticas al feminismo hegemónico, a la teoría posmoderna del constructivismo sociocultural —personificado, según ella, en Foucault y Derrida— y a su oposición a la discriminación positiva en favor de las mujeres por considerarla una forma de minusvalorarlas. El rector se negó, finalmente, a las pretensiones censoras de los estudiantes. En algunas universidades australianas las carreras de los astrónomos y astrofísicos no dependen solo de sus méritos académicos, sino también de sus identidades personales —varón, blanco y heterosexual corren últimamente con desventaja— y de sus antecedentes en asuntos de «diversidad». Para aspirar a cargos y recursos —en astronomía— se exige al interesado que escriba una «declaración sobre diversidad» (sic).
A la psicóloga y socióloga estadounidense Linda Gottfredson le cancelaron una conferencia en la Universidad de Gotemburgo por sostener cosas tan «inauditas» como que hay evidencia de que algunas pautas conductuales no obedecen solo a construcciones sociales, sino también a factores genéticos. Se le comunicó que su invitación había sido anulada debido a las protestas de otros investigadores que sostenían que «las conclusiones no igualitarias» de Gottfredson contravenían las normas éticas del organizador. Pero la coerción hacia quienes piensan distinto no se suscita solo con la ciencia; el oscurantismo también afecta a principios democráticos y de igualdad largamente arraigados en nuestra tradición republicana, como la presunción de inocencia, el derecho a un juicio imparcial, y a la libertad de creación artística, que ya se suponía a resguardo de los imperativos religiosos o morales. La carrera académica del profesor y abogado Ronald S. Sullivan Jr., el primer decano negro de la historia de Harvard, llegó a su fin cuando las autoridades de la universidad anunciaron que no le renovarían su mandato. Su pecado fue el de haberse sumado al equipo de defensa de Harvey Weinstein, el productor de Hollywood acusado de abusos sexuales y que disparó la creación del movimiento #MeToo. Los estudiantes consideraron que Sullivan «ya no era de fiar como académico» (sic). Se deduce que, para las autoridades de Harvard, una conquista civilizatoria como la presunción de inocencia —rubricada en la Constitución— y el derecho a disponer de abogados defensores, son meros detalles que deben sacrificarse en el altar de la lucha contra el sexismo.
Hay muchos más ejemplos de descalificación moral hacia los científicos «heréticos». La prueba más categórica es la reciente creación de la revista Journal of Controversial Ideas, para que los académicos que escriben sobre temas controvertidos (¿habrá algún tema científico que no haya sido controvertido en algún momento?) puedan publicar… anónimamente. Entiéndase bien: se está empujando a quienes tienen el genuino derecho a discrepar a que lo hagan, pero desde las sombras.
Uno de sus promotores, el profesor de filosofía de la Universidad de Oxford, Jeff McMahan, recordó que «Las amenazas de fuera de la universidad suelen provenir más de la derecha. Las amenazas a la libre expresión y a la libertad académica en el seno de la universidad suelen provenir de la izquierda».
Según Barreiro, sobre el clima intelectual imperante en la facultad de Ciencias Sociales de Uruguay, el profesor Nicolás Trajtenberg ha llegado a sufrir la estigmatización y la descalificación de quienes no adhieren a las corrientes de la izquierda identitaria hegemónica. Cualquiera que se atreva a desafiar el canon —marxismo cultural, feminismo de género y políticas identitarias en general— es tachado de sexista, racista, homófobo, islamófobo o «neoliberal» —incluso fascista, llegado el caso— porque, cuando se va escaso de argumentos, no hay mejor recurso que la descalificación ad hominem, previa alegación de ofensa. La advertencia para los futuros investigadores es clara: hay temas «sensibles» que no conviene abordar. No decir en público lo que se piensa en privado por temor al descrédito o el estigma es una decisión bastante corriente. Esto erosiona la libertad académica y de expresión en general, el progreso del conocimiento y hasta algunos principios básicos del orden democrático. Todo hallazgo científico —tanto de las ciencias naturales como de las sociales— debería ser impugnado, contradicho o cuestionado. ¿Por qué no refutar a Carl, a Paglia, a Gottfredson y a Sullivan? ¿Qué mal podría derivarse de confrontar ideas rivales?
Los ya célebres «espacios seguros» que reclaman los estudiantes en los campus anglosajones no refieren solo al acoso sexual o a que las autoridades eliminen «murales ofensivos». Un «espacio seguro» es también aquel en el que el educando se halla «a resguardo de las ideas que le hacen mal» (sic). Por tanto, esas ideas se suprimen.
Corolario
La idea de ficción, que madura en la Europa medieval con la eclosión de la novela, se ha quebrantado de forma grave en el siglo XXI, lo cual atenta contra su sentido de existencia. Hoy, si esa ficción quiere dar lucha por su libertad —en el debido marco del respeto y de lo que se supone se debe interpretar por humor o estereotipo—, deberá enfrentarse a dudosas adaptaciones, modificaciones, y formar parte de listas negras o escraches. Hace un tiempo anduvo circulando en las redes sociales un listado de «las diez canciones más misóginas de la música uruguaya» (sic). En el podio se hallaba el tema La hermana de la coneja (Jaime Roos/ Raúl Castro), pero las más cuestionadas siguen siendo las letras de tangos. «El tango no ha ofrecido una imagen de mujer autónoma y de avanzada, sino que tiene un claro componente machista y paternalista en sus letras, pero queremos otro tango» (sic), reclamó la senadora uruguaya Constanza Moreira, volviendo a confundir ficción con literalidad y testimonio histórico con ofensa y culpa social.
Varios observadores han advertido que en la historia contemporánea, quienes mejor han aplicado la lógica de estas acciones censoras, han sido aquellos regímenes donde universidad pública, partido y Estado son uno solo.
En suma, cuando las estructuras de poder aspiran a la prolongación inerte de sus dogmas, el artista y su obra terminan impugnados o directamente eliminados. A ese artista entonces se le teme, como se le temió a Masaccio, a Klimt, a Bellmer, a Manet, a Zola y a Onetti. Varios de ellos, expatriados o encarcelados. El humor, el arte, la libertad de expresarse fundada en la lengua «convencional» y —sobre todo— en la capacidad de simbolizar, se arrojan a la censura. Así como el Ku Klux Klan ordenó una fogata con discos de los Beatles en Texas en 1966, los nuevos emisarios del oscurantismo procuran arrojar a una nueva hoguera las obras que no se ajustan a los parámetros de sus agendas progresistas.
En consecuencia, la censura contra un arte que no se aviene a sus esquemas siembra el desprecio por el arte y la cultura, elimina el diálogo, fomenta la intolerancia y promueve la violencia. Será el triunfo de una literalidad plana bajo el cercenamiento a las libertades. Será, en nombre de la ofensa, el triunfo del fascismo.
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2019.08.06 09:47 Mojojojo3030 The Truth About Bernie Sanders

Bernie Sanders is a poster child 'fake progressive', a shameless political opportunist.
No, the greedy war-hawk Fauxcialist can't beat Trump.
The sooner people learn about him, the better. The media is equating him with Warren. His white identity politics alone is turnout cyanide...
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2019.08.01 13:14 justinh34 [Updated] List of Damning Articles on Harris

Articles sequences thematically. Newly added articles in bold.

Kamala Harris Is an Oligarch's Dream Politician https://www.truthdig.com/articles/kamala-harris-is-everything-the-establishment-wants-in-a-politician/
These 2020 hopefuls are courting Wall Street. Don't be fooled by their progressive veneer https://www.theguardian.com/commentisfree/2019/jan/15/democratic-2020-president-candidates-wall-street
These 2020 Candidates Are the Darlings of Wall Street. The Numbers Are Proof: Cory Booker, Kamala Harris and Kirsten Gillibrand are among the top beneficiaries of Wall Street money, despite their rhetoric about regulating the banking industry. http://inthesetimes.com/article/21849/booker-harris-wall-street-banks-private-equity-2020-campaign-donations
Kamala Harris Set To Raise Money With Former Wells Fargo Executive https://www.huffpost.com/entry/kamala-harris-wells-fargo-miguel-bustos_n_5d1545fde4b07f6ca57ab47e?ncid=engmodushpmg00000003&fbclid=IwAR2FcxKAKEM3qlxqcTO2AaqPDq7zdvqTAE37Mgbv4BWs9dn3rMwV3qX79J8
Top Obama bundler backs Kamala Harris with Hamptons fundraiser https://www.politico.com/story/2019/07/24/obama-fundraiser-backs-kamala-harris-1432592?fbclid=IwAR1JEATRBYHVQJwt-UHl6U1JwSXjjUQNZTlO2lImd8b5T-m7l9eT6fO4rpI
Biden, Harris and Buttigieg rack up donations from big bank executives on Wall Street https://www.cnbc.com/2019/07/25/biden-harris-and-buttigieg-rack-up-donations-from-wall-street-executives.html
Biden, Harris, Buttigieg, and Booker Emerge as 'Clear Favorites' of Wall Street as Bankers Open Checkbooks for 2020 https://www.commondreams.org/news/2019/07/26/biden-harris-buttigieg-and-booker-emerge-clear-favorites-wall-street-bankers-open?fbclid=IwAR0xxen33FzJFyDGOysgd0lMVFv8EwIrCiNQjoutc1Ee2lyhmHpSav5jML0
Dem front-runners [Biden, Harris, Warren] cash in on slippery definition of lobbying https://www.politico.com/story/2019/07/19/democratic-candidates-lobbyists-2020-1422349?fbclid=IwAR1CVUaJBOWs7ndxFF7USpK6ZIwmduGWM_mLbGotuT7c4ZcOn8vSIf2zX7E
Kamala Harris Receives Donations From Big Pharma Executives Despite Claim She Rejects Them https://theintercept.com/2019/07/30/kamala-harris-big-pharma-donations/
Kamala Harris Is An Oligarch’s Wet Dream https://medium.com/@caityjohnstone/kamala-harris-is-an-oligarchs-wet-dream-d689182ba99b
Big-dollar donors, including Donald Trump, fueled Kamala Harris’ political rise in California. https://www.sacbee.com/news/politics-government/capitol-alert/article226975319.html
Harris Was Only 2016 Senate Democratic Candidate to Get Cash From Mnuchin https://www.rollcall.com/news/politics/harris-was-the-only-democrat-in-2016-to-receive-cash-from-mnuchin
Kamala Harris Fails To Explain Why She Didn’t Prosecute Steven Mnuchin’s Bank https://theintercept.com/2017/01/05/kamala-harris-fails-to-explain-why-she-didnt-prosecute-steven-mnuchins-bank/
Dem Senator [Harris] Received Donations Before and After Failing to Prosecute Trump Nominee’s Bank https://www.counterpunch.org/2017/01/25/dem-senator-received-donations-before-and-after-failing-to-prosecute-trump-nominees-bank/
How Kamala Harris Helped Her Hollywood Donors Censor the Web: Harris, who has taken more than $1 million in campaign contributions from the entertainment industry, was a key player behind SESTA-FOSTA, a bill that internet freedom advocates say threatens the open internet. https://readsludge.com/2019/04/15/how-kamala-harris-helped-her-hollywood-donors-censor-the-web/
Harris blasts, and takes money from, Epstein’s law firm https://apnews.com/c70a21451ac64c99af1525af0bd73a26?fbclid=IwAR3S1txHrBIRlGhUrg8rON5W0aBXiZxmlbY2rA1zPUwHaga8N99ktPTlqx8
Kamala Harris took money from law firm that represented Epstein on same day she blasted it https://www.usatoday.com/story/news/politics/elections/2019/07/15/kamala-harris-takes-money-epsteins-law-firm-kirkland-and-ellis/1738739001/
What Kamala Harris Didn’t Say: From her role in a California prison labor debate to her prosecutions of sex workers, the 2020 presidential hopeful has a past of her own to defend. https://newrepublic.com/article/154400/kamala-harris-defend-record
Kamala Harris’ Baggage Could Be Just as Big of a Problem as Biden’s https://news.vice.com/en_us/article/zmp74w/kamala-harris-baggage-could-be-just-as-big-of-a-problem-as-bidens?utm_source=vicefbus&fbclid=IwAR3m_T_9gNpF2AcEyFBCIbhINNUJWQX_gb-cvBl9QC5Rs047VUkVXl2z9I8
Kamala Harris Was Not a ‘Progressive Prosecutor’ https://www.nytimes.com/2019/01/17/opinion/kamala-harris-criminal-justice.html
Kamala Harris Says She Was a Progressive Prosecutor. Her Record Tells Another Story https://www.democracynow.org/2019/7/2/kamala_harris_not_a_progressive_prosecutor?fbclid=IwAR3MDMuEkD6rQ-5-rYfUMWu81rmRfkrQji_SVWIAjNLnGLqAYDGsQdTMMQw
Kamala Harris’ Disturbing Brand of Criminal Justice Reform. Her version of “progressive” law enforcement leaves mass incarceration intact. http://inthesetimes.com/article/21700/kamala-harris-criminal-justice-reform-mass-incarceration-progress
Kamala Harris: No Friend to Criminal Justice Reform https://reason.com/2018/01/12/kamala-harris-is-not-smart-on-crime/
Kamala Harris Is a Cop Who Wants To Be President: The California senator and former prosecutor has a long record of pushing illiberal policies. https://reason.com/2019/06/03/kamala-harris-is-a-cop-who-wants-to-be-president/
The Neoliberal Record Of Kamala Harris: Reckon With It Instead Of Attacking Critics https://shadowproof.com/2017/08/15/kamala-harris-neoliberal-record-reckoning/
Kamala Harris’s Controversial Record On Criminal Justice, Explained. As she launches her presidential campaign, Harris is characterizing herself as a reformer. Critics disagree. https://www.vox.com/future-perfect/2019/1/23/18184192/kamala-harris-president-campaign-criminal-justice-record
Kamala Harris mocks those who prefer building schools to prisons. [Video] https://www.youtube.com/watch?v=dWW9kwvky98
California Prosecutor Falsifies Transcript of Confession. Court of Appeal slams Attorney General Kamala Harris again. https://observer.com/2015/03/california-prosecutor-falsifies-transcript-of-confession/
Judge Rips Harris' Office For Hiding Problems. S.F. crime lab scandal. https://www.sfgate.com/bayarea/amp/Judge-rips-Harris-office-for-hiding-problems-3263797.php
U.S. judges see ‘epidemic’ of prosecutorial misconduct in state. Federal judges called upon state Atty. Gen. Kamala D. Harris to respond to reports of a pattern of prosecutorial misconduct going undisciplined in state courts. https://www.latimes.com/local/politics/la-me-lying-prosecutors-20150201-story.html
When Kamala Harris Turned a Blind Eye to Police Brutality https://www.pastemagazine.com/articles/2019/02/they-shot-at-little-kids-too-when-kamala-harris-tu.html
Kamala Harris disagrees with statewide police body-camera regulations https://www.sacbee.com/news/politics-government/capitol-alert/article22451643.html
Kamala Harris should take bolder action on police shootings, civil rights advocates say. https://www.latimes.com/local/politics/la-me-pol-ca-harris-police-shootings-20160118-story,amp.html
San Francisco Is Paying For Jamal Trulove’s Wrongful Conviction. Will Kamala Harris? Police and prosecutors framed a father of four in a 2007 murder case with local and national political implications. https://theappeal.org/san-francisco-is-paying-for-jamal-truloves-wrongful-conviction-will-kamala-harris/#.XRtXhf-edPM.twitter
No joke: Kamala Harris laughs at pot legalization https://blog.sfgate.com/smellthetruth/2014/08/06/kamala-harris-laughs-at-pot-legalization/
With her prosecutorial record under fire, Kamala Harris changes her tune on weed. “Half my family’s from Jamaica. Are you kidding me?” https://thinkprogress.org/harris-record-weed-history-ce37afd239ce/
Kamala Harris admits she smoked marijuana in college even though she didn't support legalization until recently https://www.businessinsider.com/kamala-harris-smoked-marijuana-despite-past-opposition-2019-2
Why does Kamala Harris defend the death penalty? https://www.sfchronicle.com/opinion/article/Why-does-Kamala-Harris-defend-the-death-penalty-6481227.php
Kamala Harris’ A.G. Office Tried to Keep Inmates Locked Up for Cheap Labor. Lawyers for California also argued that allowing certain inmates to be paroled early would deplete a program that allowed prisons to fight wildfires. https://www.thedailybeast.com/kamala-harris-ag-office-tried-to-keep-inmates-locked-up-for-cheap-labor
Kamala Harris supported 2008 San Francisco policy that reported arrested undocumented juveniles to ICE https://www.cnn.com/2019/02/11/politics/kfile-kamala-harris-undocumented-juveniles/index.html?fbclid=IwAR2ztTbOWgVOcl515ylNuwKDK2pKeVVS7e8q40HiMEk28PxQo2ljG53w4IQ
Kamala Harris Laughs About Threatening Parents With Jail for Truancy [Video] https://youtu.be/DhJwmIPRmYk
The Human Costs Of Kamala Harris’ War On Truancy https://www.huffpost.com/entry/kamala-harris-truancy-arrests-2020-progressive-prosecutor_n_5c995789e4b0f7bfa1b57d2e
Kamala Harris Has Been Tough On Black People, Not Crime https://afropunk.com/2019/01/kamala-harris-has-been-tough-on-black-people-not-crime/
Kamala Harris Rips Russian Bots For Kaepernick Furor, Says They’re Coming For Her https://www.huffpost.com/entry/kamala-harris-colin-kaepernick-russian-bots-trump_n_5d2a97f0e4b0060b11ed9cad
Kamala Harris Crushed Joe Biden on Busing at the Debate. Here’s Why She’s Walking It Back. https://www.thedailybeast.com/kamala-harris-crushed-joe-biden-on-busing-at-the-debate-heres-why-shes-walking-it-back?fbclid=IwAR0DDg3kcSnUgeYaEqJNNCM5ydYPWbJU_Fqn-loTJ7_SmEbyuXcJGt3B6xs
Incarcerated Transgender Women’s Lives Must Matter. As Kamala Harris begins her presidential run, her move to block gender affirming surgery for an incarcerated transgender woman deserves scrutiny, especially as new cases highlighting the struggle for the rights of imprisoned trans women emerge. https://theappeal.org/incarcerated-transgender-womens-lives-must-matte#.XRWPfhCGjju.twitter
Harris seeks to block gender reassignment for trans inmate. https://www.washingtonblade.com/2015/05/05/harris-renews-effort-to-block-gender-reassignment-for-trans-inmate/
A New Movement To Legalize Prostitution Faces A Fight With Kamala Harris https://www.laweekly.com/a-new-movement-to-legalize-prostitution-faces-a-fight-with-kamala-harris/
As San Francisco DA, Kamala Harris's Office Stopped Cooperating With Victims of Clergy Abuse https://theintercept.com/2019/06/09/kamala-harris-san-francisco-catholic-church-child-abuse/?fbclid=IwAR1sNxRsCZjdGCokOdWmDb5cu3GXRXcR3gxUgDu8iK2Io-OdRkEQozNbqSY
Kamala Harris Accused of Letting Company Exploiting Latinos ‘Off the Hook’ https://freebeacon.com/politics/kamala-harris-accused-of-letting-company-exploiting-latinos-off-the-hook/
Documents Show San Diego Prosecutors Told Kamala Harris to Prosecute Herbalife in 2015, and She Didn’t https://www.pastemagazine.com/articles/2019/03/documents-show-san-diego-prosecutors-told-kamala-h.html
The Phony Feminism of Kamala Harris. Harris only cares about other women's rights when those rights don't conflict with her career ambitions. https://reason.com/2018/01/11/the-performative-feminism-of-kamala-h
The Two Faces of Kamala Harris https://www.jacobinmag.com/2017/08/kamala-harris-trump-obama-california-attorney-general
Kamala Harris backtracks on abolishing private health insurance https://www.axios.com/kamala-harris-abolish-private-health-insurance-position-e73036c9-271c-45ac-840b-a6b61ae03312.html?utm_source=facebook&utm_medium=fbsocialshare&utm_campaign=organic&fbclid=IwAR3dSHGF9_FS20f6a8peKaYp0SppOM7jEqwrFO8CJB1e68xiAE9CKnAd64s
Kamala Harris changes answer on abolishing private health insurance, saying she misheard debate question https://www.washingtonpost.com/politics/2019/06/28/kamala-harris-reverses-answer-abolishing-private-health-insurance-saying-she-misheard-question/?fbclid=IwAR2HUqothZoEvSe5OQ9_24zl4cp0eLQD0B5QsiE22HbHbGoi4TuKlwMpMQk&utm_term=.96e1f3fd6159
Kamala Harris Releases Healthcare Plan Calling for Privatization of Medicare https://www.democracynow.org/2019/7/30/headlines/kamala_harris_releases_healthcare_plan_calling_for_privatization_of_medicare?fbclid=IwAR0ss8IFVsxnK2YsKGp1n27xjYd9bAxgBbeLgF2ay28TNGqcjhdwvuAAEkI
Senator Harris: You really need to rethink your plan to put private insurers in charge of Medicare https://tarbell.org/2019/07/senator-harris-you-really-need-to-rethink-your-plan-to-put-private-insurers-in-charge-of-medicare/
Kamala Harris’s Phony Medicare for All Plan https://jacobinmag.com/2019/07/kamala-harris-medicare-for-all-plan-health-care-single-payer-kamalacare?fbclid=IwAR0d0Dhg39mw-IArfK3H8iv9FeNagwLAG4AvNpBBQ4qADhxRzUpa6m_Ugc8
Kamala Harris Unveils Medicare-Of-Lies https://www.youtube.com/watch?v=L4ln7vLbXiA
Biden, Buttigieg and Harris Rewarded by Industry for Waffling on Medicare for All: Sanders and Warren voiced unequivocal support for single-payer. Health insurance and pharma execs showered money on their opponents. http://inthesetimes.com/article/21984/medicare-for-all-money-2020-biden-buttigieg-harris-sanders-warren?fbclid=IwAR1B3npAnpVJ22jsyQ1wpYj9SOIduJJw6-sopNtKgZUecmz6eBkNekNpX-o
Kamala Harris released her student loan forgiveness plan. It did not go over well. https://www.theblaze.com/news/kamala-harris-released-her-student-loan-forgiveness-plan-it-did-not-go-over-well
Kamala Harris revealed a new proposal to wipe student debt, but people aren't so sure it's possible https://www.businessinsider.com/kamala-harris-student-debt-proposal-confused-people-2019-7
Kamala Harris’s Student Loan Forgiveness Flop https://jacobinmag.com/2019/07/kamala-harris-student-loan-forgiveness
Israel ‘made a desert bloom’ — and I helped — Kamala Harris to AIPAC https://mondoweiss.net/2018/03/israel-desert-helped/
Kamala Harris and Israel: Taking the AIPAC Line https://www.counterpunch.org/2019/01/31/kamala-harris-and-israel-taking-the-aipac-line/
Kamala Harris skips AIPAC conference — but AIPAC comes to her! https://mondoweiss.net/2019/03/kamala-harris-conference/?utm_source=rss&utm_medium=rss&utm_campaign=kamala-harris-conference
Corporate Team of Rivals: Harris Now in Top Tier with Biden to Prevent a Progressive Nominee https://www.commondreams.org/views/2019/07/08/corporate-team-rivals-harris-now-top-tier-biden-prevent-progressive-nominee?utm_campaign=shareaholic&utm_medium=referral&utm_source=facebook&fbclid=IwAR2RL_EKrsb97Uxly6dPVUWXadLqpPBb6HySu-qwVgKI-Ev-8UMfAoOgw90
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2019.07.12 16:19 spastorm20 John Leguizamo: 'Los estereotipos en Hollywood desaparecen con latinos más fuertes'

John Leguizamo: 'Los estereotipos en Hollywood desaparecen con latinos más fuertes' submitted by spastorm20 to EcuadorNoticias [link] [comments]


2019.07.06 06:59 spastorm20 El duro camino de los actores latinos contra el estereotipo en Hollywood

El duro camino de los actores latinos contra el estereotipo en Hollywood submitted by spastorm20 to EcuadorNoticias [link] [comments]